Today, member companies of the Association of American Publishers (AAP) filed a copyright infringement lawsuit against Internet Archive (IA) in the United States District Court for the Southern District of New York. The suit asks the Court to enjoin IA's mass scanning, public display, and distribution of entire literary works, which it offers to the public at large through global-facing businesses coined "Open Library" and "National Emergency Library," accessible at both openlibrary.org and archive.org. In a statement, the Association of American Publishers (AAP) wrote: IA has brazenly reproduced some 1.3 million bootleg scans of print books, including recent works, commercial fiction and non-fiction, thrillers, and children's books. The plaintiffs --Hachette Book Group, HarperCollins Publishers, John Wiley & Sons and Penguin Random House -- publish many of the world's preeminent authors, including winners of the Pulitzer Prize, National Book Award, Newbery Medal, Man Booker Prize, Caldecott Medal and Nobel Prize. Despite the self-serving library branding of its operations, IA's conduct bears little resemblance to the trusted role that thousands of American libraries play within their communities and as participants in the lawful copyright marketplace. IA scans books from cover to cover, posts complete digital files to its website, and solicits users to access them for free by signing up for Internet Archive Accounts.

The sheer scale of IA's infringement described in the complaint -- and its stated objective to enlarge its illegal trove with abandon -- appear to make it one of the largest known book pirate sites in the world. IA publicly reports millions of dollars in revenue each year, including financial schemes that support its infringement design. In willfully ignoring the Copyright Act, IA conflates the separate markets and business models made possible by the statute's incentives and protections, robbing authors and publishers of their ability to control the manner and timing of communicating their works to the public. IA not only conflates print books and eBooks, it ignores the well-established channels in which publishers do business with bookstores, e-commerce platforms, and libraries, including for print and eBook lending. As detailed in the complaint, IA makes no investment in creating the literary works it distributes and appears to give no thought to the impact of its efforts on the quality and vitality of the authorship that fuels the marketplace of ideas.

In recent months, Audible, the audiobook service owned by Amazon.com, has been meeting with talent agencies and producers to discuss acquiring potential new podcast projects -- or, in the terminology that Audible prefers, "Audible Originals." From a report: Audible is offering anywhere from a few hundred thousand dollars to a few million dollars per show, according to people familiar with the matter, more than every competitor except Spotify. So far, Audible has already purchased shows from documentary producer John Battsek, as well as from comedians Kevin Hart and Tiffany Haddish.

The acquisitions by the dominant audiobook service in the U.S. are part of a new, multimillion-dollar shopping spree, designed to establish Audible as a more enticing destination for podcast fans and to fend off growing audio-storytelling competition, particularly from Spotify. Audible has been funding original series for years now, but after starting with programs from well-known authors, the company is now prioritizing celebrity hosts and shows that can help broaden its audience beyond the avid audiobook listener. Audible is also considering changes to its business model. Under the current system, each month subscribers pay $14.95 and receive credits for one book and two original shows. Now the company is debating selling original shows individually so that customers don't need to be subscribers to listen, said the people, who asked not to be identified while discussing terms of private business deals. Audible has also explored the possibility of rolling out a lower-priced plan that would offer access to originals but not books. None of these plans have been set, and the company declined to comment for this story.

SoftBank Group said its Vision Fund business lost 1.9 trillion yen ($17.7 billion) last fiscal year after writing down the value of investments, including WeWork and Uber. From a report: The company posted an overall operating loss of 1.36 trillion yen in the 12 months ended March and a net loss of 961.6 billion yen, according to a statement on Monday. The Tokyo-based conglomerate released figures in two preliminary earnings statements last month. The losses are the worst ever in the company's 39-year history. SoftBank founder Masayoshi Son's $100 billion Vision Fund went from the group's main contributor to profit a year ago to its biggest drag on earnings. Uber's disappointing public debut last May was followed by the implosion of WeWork in September and its subsequent rescue by SoftBank. Now Son is struggling with the impact of the coronavirus on the portfolio of startups weighted heavily toward the sharing economy. 50 of the Vision Fund's 88 portfolio companies had a cut in valuation in the 12 months to March 31, 2020, said Son, adding that 15 could soon file for bankruptcy.

The Los Angeles Times recently checked in on Bookshop.org, an online bookseller, as it pulled in its first $1 million to help local bookstores across America (thanks partly to a partnership with Simon & Schuster). "(This milestone) means that we're accomplishing our mission of being a real meaningful support for independent bookstores," said Andy Hunter, Bookshop's founder and CEO. "We're exceedingly pleased with how much we've been able to earn for the stores and many stores are also grateful."

Bookshop, a Certified B corporation, was launched in January with a mission to help indie bookstores, which for years fought to compete with chains like Barnes & Noble and then the online retail giant Amazon. "Our goal is to take the conscious consumers away from Amazon and put them in a channel that supports local independent businesses and keeps bookstores in their communities," said Hunter, which "are really essential to our cultural fabric when it comes to books." Customers can choose to purchase from a specific indie bookstore affiliated with Bookshop or buy directly from the site.

But Hunter doesn't expect to beat the e-commerce behemoth -- only to help its competitors survive: "I expect Amazon will continue to sell more books than us for all eternity. We're not trying to sell more books than them, but we are trying to get customers who care about their downtowns, their quality of life and the world that they want to live in to make a switch."
The article notes that as lockdowns forced nonessential businesses to temporarily close, some bookstores "have turned to Bookshop to keep their businesses running." The Harvard Bookstore even created a special page touting its "Weird History" books.

"Indie stores that sell through Bookshop.org get 30% of every sale," reports the Los Angeles Times. "Affiliate stores that send in referrals also get a 10% commission, compared with Amazon's 4.5%. And for every sale made directly on Bookshop or through a referral, 10% is added to an earnings pool that is then distributed to indie bookstores every six months."

destinyland writes: For the first time in many years, the first Saturday in May won't mark Free Comic Book Day, as the worldwide comic celebration at comic-book stores has been postponed amid coronavirus concerns," reports Oklahoma's largest newspaper — saying it's been postponed to an unspecified new date in the future. But they're suggesting fans can support their local shops anyways, with some still offering limited services, while others "may still be closed but offer gift cards or other online shopping options." I think those of us who have money should observe "Not-Free Comic Book Day" — where we seek out a local comic book retailer, and ask them to mail us a bunch of comic books and graphic novels. (It also means more money going to the postal service.) Or maybe order some comic books to be sent to a younger reader who's sheltering at home.

The Associated Press reports that the pandemic "poses a particular threat to comic book shops, a pop-culture institution that has, through pluck and passion, held out through digital upheaval while remaining stubbornly resistant to corporate ownership..." They write that the whole industry "is at a standstill that some believe jeopardizes its future, casting doubt on how many shops will make it through and what might befall the gathering places of proud nerds, geeks and readers everywhere."

But it also quotes Joe Field, the owner of Flying Color Comics in Concord, California, who came up with Free Comic Book Day. "Comic book retailers are the cockroaches of pop culture.We have been through all kinds of things that were meant to put us out of business, whether it's the new digital world or distribution upheaval or Disney buying Marvel. We have adapted and pivoted and remade our businesses in ways that are unique and survivable."
Individual shops seem to be announcing their own individual celebrations using the #FCBD tag on Twitter. And at least one publisher is using the occasion to stream an alternative event online, reports CBR. "Alt FCD, taking place over the course of May 1 and 2, will feature virtual panels with comic book creators and free digital downloads of books. The event will be streamed on Facebook, Twitch and YouTube."

Amazon has confirmed it will cut the price of its Kindle ebooks from Friday, after the government announced it would bring forward plans to stop charging VAT on online publications because of the pandemic. From a report: The decision to remove the 20% VAT charged on online news subscriptions and books will bring them in line with their physical equivalents, which have always been zero-rated. Amazon said customers would very shortly start to notice the change, which will see the cost a $12.6 ebook reduced to $10.5. "For titles where Amazon sets the price, we will reduce the prices of books not already on promotion," said a spokesperson. "After receiving today's notification, we are working as fast as possible to lower prices for customers."

As Marvel cuts staff and publishers stop selling new titles, artists, shop owners and writers worry for the future of an industry worth billions. From a report: There are no new comic books. Steve Geppi, head of Diamond Comic Distributors, which distributes nearly every comic sold in the anglophone world (or used to), announced this on 23 March, though senior industry figures already knew what was coming. The coronavirus pandemic had sunk retailers deep into the red. They couldn't pay their bills to Diamond or rent to their landlords, because they hadn't made any sales. "Product distributed by Diamond and slated for an on-sale date of 1 April or later will not be shipped to retailers until further notice," Geppi wrote. If shops can't pay Diamond, Diamond can't pay the industry's constellation of comics publishers, who then can't pay artists, writers, editors and printers, who now can't pay their rent or credit card bills -- or buy comics.

Sales of comics, graphic novels and collectibles distributed by Diamond were $529.7m in 2019 -- a huge number which suggests that a months-long gap between issues of Batman, Captain America and Spawn will stretch into tens of millions of dollars in lost revenue. (Though Diamond plans to start shipping comics to shops again on 17 May, many around the world will still be in lockdown then.) The unprecedented situation has encouraged many acts of kindness, by individuals and companies. In solidarity with the shops relying on physical sales, most publishers are not currently selling new comics digitally. And dozens of artists and writers are auctioning off books and art to benefit others; DC artist Jim Lee is sketching a superhero pinup every day for two months, selling them for thousands on eBay to benefit comics shops.

Long-time Slashdot reader destinyland writes: With all the news stories about how the pandemic is impacting our world, some of us have been just plain lucky. As an information worker, I was already working from home, so I still have my full-time job — and my full-time income. So my question is, if we really are all "in this together," then what can I be doing to help the others who need it?

Here's what I've done so far. First just by staying at home, I'm keeping myself healthy, while not adding to the burdens of medical workers, or spreading the virus to anyone else. But I'm also at least trying to place some food orders at local restaurants, having it delivered to my home (and also adding a big tip.) The post office will be sending me two sheets of "Forever" stamps that I bought to help pre-fund future postal services. And though I haven't bought any gift cards yet, I've ordered $40 worth of books to support my local bookstore, and placed a second order for a bunch of graphic novels from my favorite local comic book shop.

Bookstores do need our support. You can also try buying your books through BookShop.org, a new e-commerce site whose profits go to local independent bookstores while giving book-buyers an alternative to Amazon. But some stores are just turning to crowdfunding campaigns. When people heard that San Francisco's iconic City Lights Bookstore might be forced to close after 60 years, they contributed over $484,000 to its GoFundMe campaign to keep it alive.

In fact, there's now at least 30,000 coronavirus-related GoFundMe pages to choose from. If you want to do something more organized, the New York Times has launched its own fundraising page for "four nonprofit organizations that provide assistance to those facing economic hardship." The nonprofit-evaluating site Charity Navigator has also created a list of trustworthy organizations seeking donations to support communities affected by the pandemic.

Everyone's got their own ideas about how to help — so what are the rest of you doing? If you've been lucky, what ways have you found to give back, to pitch in, or just feel like you're connecting to the community beyond your door?
Leave your answers in the comments.

What are you doing to help?

Alan Cohen is a software and systems engineer/manager, and a lifelong technophile who's been engaged in developing medical devices and other high-reliability products. So right now he's working with the new Massachusetts-based "Mass General Brigham Center for COVID Innovation" to refine an emergency ventilator prototype — and then mass-produce thousands of them.

"Most of what's needed is the expertise to turn prototypes into products," Alan says — and fortunately, he'd already written a book about that for O'Reilly Media. "He's asked that it be freely shared with others to help solve problems in this time of crisis," reads a new announcement at OReilly.com.

Alan is also occamboy (Slashdot reader #583,175), and shares his thoughts with Slashdot readers. He starts by saying that he's "psyched" that O'Reilly's now agreed to offer free downloads of Prototype to Product, "to help teams developing products in response to COVID-19." It's a high-level cross-functional engineering look at how... well, how prototypes are developed into manufacturable products. Covers electronics, software, mechanicals, manufacturing, project management, regulatory, and so forth. Currently at 4.8 stars on Amazon, and only two of the reviews were by friends of mine :).
Alan also offers this special hint for Slashdot's quick-learning readers.

"Figure 1-1 is all you really need to know, the rest is details."

The Bay Area Newsgroup just interviewed the author of "Abolish Silicon Valley: How to liberate technology from capitalism". Q: How do you fix this broken system?

A: Overall the goal that I'm thinking about is that you have the private sector so overfunded and glorified that it seems like the only way to do things, but things could be much better serviced by the public sector without the profit motive that the private sector demands. Reclaim the wealth from capital, push back capital and fund public innovation... Right now the way it works is all these tech companies are predicated on a very particular way of regulating work and will hire people short-time and pay them nothing and not provide them with safety nets.

There are also companies that shouldn't necessarily exist. A lot of companies are being funded to do something the public sector could've provided. Instead of good public transit, we have Uber. Instead of a good social mobility system, we get paid scooters. What people want is to streamline a centralized system that is run in a way that is accountable and actually serves the public...

My Utopian view is to put tech companies in full public view. Expropriate platforms and turn them into municipal services, public services and make them open-source.

An anonymous reader quotes a report from Ars Technica: The coronavirus crisis has forced the closure of libraries around the world, depriving the public of access to millions of printed books. Books old enough to be in the public domain may be available for free download online. Many recent books are available to borrow in e-book form. But there are many other books -- especially those published in the mid-to-late 20th century -- that are hard to access without going to a physical library. A consortium of university libraries called HathiTrust recently announced a solution to this problem, called the Emergency Temporary Access Service. It allows participating HathiTrust member libraries to offer their patrons digital scans of books that they can "check out" and read online.

HathiTrust has a history of pushing the boundaries of copyright. It was the defendant in a landmark 2014 ruling that established the legality of library book scanning. At the time, HathiTrust was only allowing people with print disabilities to access the full text of scanned books. Now HathiTrust is expanding access to more people -- though still with significant limits. The program is only available to patrons of member libraries like the Cornell library. Libraries can only "lend" as many copies of the book as it has physical copies on its shelves. Loans last for an hour and are automatically renewed if a patron is still viewing a book at the hour's end. If you want to read a book that's currently in use by another patron, you have to wait until they're finished. The service differs from the Internet Archive's National Emergency Library in that it limits the "lending" of copies to how many physical copies there are available on its shelves. "During the pandemic, the Internet Archive isn't limiting the number of people who can 'borrow' a book simultaneously," reports Ars.

"Cornell University legal scholar James Grimmelmann tells Ars that the limits on the HathiTrust program will put the group in a stronger position if it is ever challenged in court," the report adds. "The same fair use doctrine that allows HathiTrust to scan books in the first place might also justify what the organization is doing now -- though that's far from certain."

Shifting sick-leave policy and communication issues are causing employees to assert themselves after they stayed on the job. From a report: As millions of Americans heed government orders to hunker down, ordering food and medicines and books and puzzle boards for home delivery, many of Amazon's 400,000 warehouse workers have stayed on the job, fulfilling the crushing demands of a country suddenly working and learning from home. Orders for Amazon groceries, for example, have been as much as 50 times higher than normal, according to a person with direct knowledge of the business. The challenge is keeping enough people on the job to fill those orders, according to more than 30 Amazon warehouse workers and current and former corporate employees who spoke with The New York Times. For all of its high-tech sophistication, Amazon's vast e-commerce business is dependent on an army of workers operating in warehouses they now fear are contaminated with the coronavirus.

[...] Amazon's response to the pandemic has differed from warehouse to warehouse. Over the years, that sort of autonomy has allowed Amazon to nimbly adjust to local market conditions. Now it is leading to distrust, as workers see some facilities close for cleaning while others remain open. Since the first worker in the Queens facility learned on March 18 that he had tested positive, the company has learned of cases in more than 50 other facilities, out of the more than 500 it operates across the country. In recent weeks, Amazon has raised wages and added quarantine leave, and it is offering overtime at double pay. It said it had tripled its janitorial staff. And it has added space between many workstations. But in private groups, conversations with their managers and public protests, some workers have expressed alarm about their safety.

An anonymous reader quotes a report from NPR: Last week, when the Internet Archive announced its "National Emergency Library," expanding access to more than a million digitized works, the group explained the move as a goodwill gesture in the time of coronavirus. With so many brick-and-mortar libraries forced to close their doors, in other words, the group was opening up its lending program: Now, instead of its usual policy of just one digital copy per reader for a 14-day period, many frustrated readers could borrow copies of the same book during the same time -- and could do so through the end of June or the end of the global pandemic, whichever came sooner.

But there's one major issue that several media outlets, including NPR, failed to mention in covering the decision: Many writers and publishers say the website, even before the creation of this National Emergency Library, has been sharing full digital copies of their books without their permission. And over the weekend, dozens of prominent authors, from Colson Whitehead and Neil Gaiman to Alexander Chee, made clear that they were upset with the Internet Archive's model -- and doubly so now, with the expansion of lending services and its timing. "With mean writing incomes of only $20,300 a year prior to the crisis, authors, like others, are now struggling all the more â" from cancelled book tours and loss of freelance work, income supplementing jobs, and speaking engagements," the Authors Guild, a professional group that provides legal assistance to writers, said in a statement released Friday. "And now they are supposed to swallow this new pill, which robs them of their rights to introduce their books to digital formats as many hundreds of midlist authors do when their books go out of print, and which all but guarantees that author incomes and publisher revenues will decline even further."

"Acting as a piracy site -- of which there already are too many -- the Internet Archive tramples on authors' rights by giving away their books to the world," the guild added.

The Internet Archive pushed back against this characterization with a lengthy rebuttal. Brewster Kahle of the Internet Archive said the group "uses the same controls limiting access to these works as the publishers themselves, with encrypted files that are meant to disappear from the user's computer after a brief period," reports NPR. "The copies the group lends, Kahle said, are owned by the Internet Archive -- either through donations, straight-up purchases or collaborations with brick-and-mortar libraries."

The Internet Archive will suspend its waiting lists for digital copies of books, as part of its National Emergency Library, the organization said. From a report: "Users will be able to borrow books from the National Emergency Library without joining a waitlist, ensuring that students will have access to assigned readings and library materials that the Internet Archive has digitized," according to a blog post. The move comes as schools around the country are shut down in the midst of the coronavirus pandemic and as it's become more difficult to get goods of all kinds. The post noted that many people can't physically go to their local libraries these days. The waiting lists apply to more than 1.4 million books. The Internet Archive said it would keep the waiting list suspended until June 30, 2020, or "the end of the US national emergency, whichever is later."

The ongoing coronavirus crisis has thrown the release schedule of cultural products into chaos, as now is an exceptionally bad time to drop anything that isn't a government check for lost wages. Jeremy Gordon, writing for The Outline: Our cultural producers -- movie studios, publishing houses, television networks, and so forth -- must decide whether to go ahead with previously made plans, or wait until all of this is over. The new Fast and Furious movie, for example, has been pushed back from its May 2020 release date to April 2021, in hopes that mass gatherings will be back on the table by then (maybe!) and we'll all be in a better mood to watch some big cars go boom. But as more people are driven inside for the time being, it's also true that everyone is looking for something to do at home. As a result, unconventional solutions have emerged: Last week, Universal Pictures announced it'll make several of its current film releases available to stream on-demand at home, as movie theaters around the world are being closed. Beginning Friday, movies like The Invisible Man, Emma, and The Hunt will be rentable for $19.99 apiece, with Trolls: World Tour set for a similar release.

Emma and The Invisible Man were finished products already in theaters, so Universal just had to skip the typical waiting period between when a movie is released, and when it's available for purchase. But there are so many more finished products waiting to be released in the coming weeks, which publishers may now consider delaying until a time when everyone can go back outside. While they may be reticent to promote anything in the current climate, I would submit an opposite suggestion: Release that shit. While everyone is sitting at home stewing in anxiety, people have never been more desperate for distraction. We have all become a captive audience with the free time to give that show or game a try.

An anonymous reader shares some free streaming media options: There's over 10,000 public domain audiobooks at LibriVox.org, created by volunteers reading public domain works. (If you've got time, why not record yourself reading your own favorite public domain poem or novel?) And there's also a lot of free audiobooks (and ebooks) available through Hoopla, a free "digital media" service that's partnering with many public libraries across North America. They're not just offering books; there's also movies, music, TV shows, and even comic books.

As always, Amazon's audiobook service Audible offers a free one-month trial. But they've now also announced a new free service for "as long as the schools are closed... Kids everywhere can instantly stream an incredible collection of stories..."
You can also stream over 6,500 full-length movies over at archive.org, including Night of the Living Dead and The Internet's Own Boy: The Story of Aaron Swartz.

They've even got a collection of classic cartoons, like Tom and Jerry, Betty Boop, the Pink Panther, and lots of Popeye (including one where Popeye runs for president against Bluto.)

And an archive.org blog post explains that that's just the beginning: If gaming is more your speed, then check out the MS-DOS Games in our Software Library. This collection includes dozens of classic favorites such as Pac-Man, Sim City, The Oregon Trail, Doom, Prince of Persia, Donkey Kong, and Tetris, as well as many more lesser-known titles such as Aliens Ate My Baby Sitter! and Freddy Pharkas, Frontier Pharmacist. Enjoy simulations of popular board and card games such as Monopoly [press F1 to begin], Stratego, Hearts, or Mah Jong, as well as flight simulators, sports games, and this treat for Monty Python fans.
They also have recordings of old-time radio shows -- as well as an archive of live music. ("Our most popular collection by far is The Grateful Dead, but you could also explore Smashing Pumpkins, Robert Randolph (and the Family Band), Disco Biscuits, Death Cab for Cutie, John Mayer, or Grace Potter and the Nocturnals...")

And then there's this: Relive the 80's and 90's (and learn how to style your scarf) with the Ephemeral VHS collection, or roam the cosmos with the NASA Image of the Day gallery. Learn about the history of advertising with this collection of retro TV ads or enjoy some psychedelic screensavers. No matter how long you're stuck indoors, the Internet Archive will have something new to offer you — so happy hunting!
Share your reactions -- and your own finds and suggestions -- in the comments! And in these days of social distancing, what are the best free entertain sites that you've found?

Reading subscription service Scribd is offering free access to its library of over one million ebooks, audiobooks, magazines and more for the next 30 days (no commitment or credit card information required). From a report: Scribd told Good e-Reader that "with the spread of COVID-19 and new regulations put into effect, we know many people are staying close to home, yet still looking for information, distractions and perhaps a mental escape. Scribd wants to support the community by giving people access to the world's largest library during this global health crisis, and do our small part in helping consumers through times of uncertainty."

Apple on Wednesday announced the Magic Keyboard, featuring a trackpad, that will work with newly unveiled iPad Pro models and some previous generation iPads. Is this the "convergence" everyone had been waiting for? A "2 in 1" or a tablet or a toaster-refrigerator? Did Apple capitulate? Some context on the evolution of devices, from Steven Sinofsky, former President of the Windows Division at Microsoft. He writes: Hardware evolves just like software but we don't often see it the same way. We're used to talking about the cycle software bundling and unbundling, but hardware does the same thing. Every new generation of hardware begins this cycle anew. Certainly we're used to hardware adding ports or absorbing new technologies over time. Where things get really interesting with hardware is when a new "form" is introduced, often the first step is jettisoning many features from the leader. With the introduction of a form, the debate immediately begins over whether the new form can take over or whether it is a substitute for the old one. Tech dialog is rather divisive over these questions (dodged by marketing). "It can never work" or "It will eventually work." The industry works hard to create these dividing lines. The way it does this is first because usually there are new manufacturers that make the new form.

Second, pundits attach labels to form factors and begin a process of very specific definitions (dimensions, peripherals.) The first one of these transitions I remember is the introduction of portable computers. Out of the gate, these were way less powerful than "PCs." The debate over whether a portable can "replace" a "PC" was in full force. Quickly the form factor of portable evolved and with that came all sorts of labels: luggable, portable, notebook, desktop, sub-notebook, and so on. This continued all the way until the introduction of "ultra-books." If you're a maker these labels are annoying at best. (1987) Quite often these are marketing at work -- manufacturers looking to differentiate an otherwise commodity product create a new name for the old thing done slightly differently. Under the hood, however, the forms are evolving. In fact the way they are evolving is often surprising. The evolution of new forms almost always follows the surprising pattern of *adding back* all those things from the old form factor. So all those portables, added more floppies, hard disks, then expansion through ports/docks, and then ultimately CPUs as powerful as desktop.

Then we wake up one day and look at the "new" form and realize it seems to have morphed into the old form, capabilities and all. All along the way, the new form is editing, innovating, and reimagining how those old things should be expressed in the new one. These innovations can change software or hardware. But this is where hardware devices like USB come from -- the needs of the new form dictate new types of hardware even if it solves the same problem again. The evolution of PCs to become Servers offers an interesting arc. PCs were literally created to be smaller and less complex computers. They eliminated all the complexity of mainframes at every level while making computing accessible and cheap. When first PCs began to do server tasks, they did those in an entirely different way than mainframes that were servers of the day. They used commodity desktop PCs -- literally the same as a desktop running in an office. That was the big advantage -- cheap, ubiquitous, open! Mainframe people balked at this crazy notion. It was an obvious moment of "that is a toy." Then the age of client server computing was before us, starting in the late 1990s. But what followed was a classic case of convergent evolution. PC Servers started to add attributes of mainframes. At first this seemed totally crazy -- redundant power supplies, RAID, multi processors, etc. THAT was crazy stuff for those $1M mainframes. Pretty soon at h/w level telling a PC Server from a MF became a vocabulary exercise. And here we are today where server to stripped the very elements rooted in PC (like monitors and keyboards!) Guess what? That's a mainframe! On Twitter, this would be: "Mainframe, you've invented a mainframe.

Except, the operating system and software platform is entirely different. The evolution was not a copy, but a useful convergence done through an early series of steps copying followed by distinct and innovative approaches that created a new value ... a new form factor. So here we are today with an iPad that has a trackpad. Many are chuckling at the capitulation that the iPad was never a real computer and finally Apple admitted it. Laptop, Apple has invented the laptop. This was always going to happen. From the earliest days there were keyboard cases that turned iPads into "laptops" (w/o trackpads) and these could be thought of as experiments copying the past. It took time (too much?) to invent the expression of the old in the new. The PC server everyone uses in the cloud today is no mainframe. It is vastly cheaper, more accessible, more scaleable, runs different software (yes people will fight me on these in some way, but the pedantic argument isn't the point). Adding a trackpad to iPad was done in a way that reimagined not just the idea of a pointer, but in the entire package -- hardware and software. That's what makes this interesting. To think of it as capitulation would be to do so independent of how computing has evolved over decades.

An anonymous reader shares a report from TechCrunch, written by Devin Coldewey: It's no secret I'm a fan of the reMarkable, a tablet with a paper-like display that's focused on text and sketching rather than rich media and games. The sequel to the original, announced today, looks to make a good thing even better. Designed for the creation and consumption of monochromatic content like long documents, e-books, notes and sketches, the reMarkable set itself apart as a more minimalist alternative (or complement) to the likes of the iPad or Surface. The device was crowdfunded and has sold more than 100,000 units; meanwhile, the company has grown and attracted a $15 million A round. One sees in retrospect that the money helped launch this successor.

The most obvious change is to the design. It has a bold asymmetrical look with a chrome band along the left side, indicating the tablet's main use as an alternative to a paper notebook: Hold it with your left hand and write with your right. Sorry, lefties. The new tablet is just 4.7 mm (0.19 in) thick, thinner than the iPad Pro and Sony's competing Digital Paper tablets, both of which are 5.9 mm. Let's be honest -- at these levels of thinness it's getting hard to tell the difference, but it's an accomplishment nevertheless. [...] The software running on the reMarkable has received several major updates since the product made its debut, adding things like handwriting recognition, a new interface, better performance and so on. But one of the most requested features is finally coming with the new device: saving articles from the web. The company is claiming a 3x boost to battery life, using the same 3,000 mAh battery, based on performance improvements throughout and a more efficient (but more powerful) dual-core ARM processor. That means two weeks of use and 90 days of standby. This is welcome news, because frankly the battery life and power management on the last one were not great. The reMarkable 2 will sell for $399 if you pre-order, and comes with a Marker and a folio case.

In countries where websites, blogs and a free press are strictly limited, Minecraft "is still accessible by everyone," notes the official official web site for Reporters Without Borders (an international nonprofit defending freedom of information): Reporters Without Borders used this backdoor to build "The Uncensored Library": A library that is now accessible on an open server for Minecraft players around the globe. The library is filled with books, containing articles that were censored in their country of origin. These articles are now available again within Minecraft hidden from government surveillance technology inside a computer game. The books can be read by everyone on the server, but their content cannot be changed. The library is growing, with more and more books being added to overcome censorship.

On March 12 — the World Day Against Cyber Censorship — the Uncensored Library will open its doors, giving young people around the world access to independent information, through a medium they can playfully interact with. The campaign runs under the hashtag: #TruthFindsAWay...

Additional to banned articles from journalists, visitors of The Uncensored Library can find the Reporters Sans Frontières World Press Freedom Index and reports on the current press freedom situation of 180 countries in the world.
They spent three months working with the design studio BlockWorks to assemble 12.5 million blocks into a vast structure with a neoclassical architecture.

You can see it in a short film at uncensoredlibrary.com, or access it in Minecraft at visit.uncensoredlibrary.com