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DMCA Prevents Photoshop Support of Nikon Camera 656

Will writes "PhotoshopNews.com reports that the risk of getting sued under the DMCA prevents Adobe from fully supporting the raw file format of Nikon's top professional camera Nikon D2X. The file format contains encrypted white balance information that is necessary to render the image correctly and while the encryption can and has been broken, Adobe fears getting sued under the DMCA if they decrypt the data."
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DMCA Prevents Photoshop Support of Nikon Camera

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  • by garcia ( 6573 ) * on Tuesday April 19, 2005 @01:04PM (#12283159)
    Adobe is a large company with deep pockets (unlike Bibble), and it is unlikely we would run the legal risk of breaking the white balance encryption unless we can get some assurance from Nikon that they will not sue Adobe for doing so. Since Nikon clearly does not want third party raw converters reading their files (they would much rather sell you a copy of Nikon Capture), the likelihood of Nikon providing such an assurance to Adobe is not very high.

    People who would be purchasing a high-end camera like the D2X and D2H would probably only be doing so to use a high-end piece of software to manipulate the 12+MP digital images.

    When a potential buyer looks at Photoshop and sees that it isn't supporting the D2X/H fully because of some retarded move by Nikon to try and make money they are likely going to find another camera. People interested in the D2X/H cameras are going to be shopping around looking for the one that best fits their needs and aren't going to be impulse buying a $5000 camera.

    Really dumb move Nikon.
  • encrypted? (Score:4, Insightful)

    by MankyD ( 567984 ) on Tuesday April 19, 2005 @01:04PM (#12283160) Homepage
    Why is it encrypted in the first place? That doesn't sound very much like raw data to me.
  • License (Score:2, Insightful)

    by Anonymous Coward on Tuesday April 19, 2005 @01:04PM (#12283163)
    So why not license it from Nikon?
  • by stilwebm ( 129567 ) on Tuesday April 19, 2005 @01:04PM (#12283164)
    ...comes around.
  • Good Grief! (Score:5, Insightful)

    by CaptainZapp ( 182233 ) * on Tuesday April 19, 2005 @01:05PM (#12283169) Homepage
    Can someone in this fine, family type forum please assure me that I'm not in the Twilight Zone?

    Nikon, to the best of my understanding, is a camera manufacturer. I have no clue if they do stuff in the whiz-bang imaging market, like Kodak, or Agfa, but it would seem that their business model depends on selling cameras, lenses and other nice gizmos, ideally loads of them.

    Assume I'm a Fotografer. Since the times of silver plates and baryt paper (which sure as hell still has it's niche, but I digress) seem somewhat outdated I like to process my digital images with what can be considered the major photo processing application; pretty much the standard in my trade.

    And the good burgers from Nikon intend to prevent direct access to crucial parts of the raw data of my images?

    I think I buy a Canon!

  • Comment removed (Score:3, Insightful)

    by account_deleted ( 4530225 ) * on Tuesday April 19, 2005 @01:06PM (#12283184)
    Comment removed based on user account deletion
  • by turgid ( 580780 ) on Tuesday April 19, 2005 @01:06PM (#12283185) Journal
    ...is, of course, for Adobe to license the decryption algorithm from Nikon.

    This is exactly what the DMCA was intended to do. I can't remember their being much corporate oppostition to the DMCA when it was being introduced.

  • by WD_40 ( 156877 ) on Tuesday April 19, 2005 @01:06PM (#12283189) Homepage
    The DMCA is having very far-reaching effects, all of which I'm sure were not contemplated or foreseen by the people who drafted the DMCA.

    The thing I hate about this sort of legislation, is that once it's on the books, it's very difficult to get repealed.

    Other than calling and writing to our representatives, how else do we make our concern known?
  • FUCK THEM (Score:5, Insightful)

    by Profane MuthaFucka ( 574406 ) * <busheatskok@gmail.com> on Tuesday April 19, 2005 @01:08PM (#12283207) Homepage Journal
    They went after a Russian dude who broke their encryption, and he even did it in Russia where it was entirely legal. They only threw him in the can when he entered the US.

    So FUCK THEM. Karma has bitten their asses, and I don't feel sorry at all.
  • Re:encrypted? (Score:2, Insightful)

    by garcia ( 6573 ) * on Tuesday April 19, 2005 @01:08PM (#12283210)
    RTFA, would you?

    Since Nikon clearly does not want third party raw converters reading their files (they would much rather sell you a copy of Nikon Capture), the likelihood of Nikon providing such an assurance to Adobe is not very high.

    It's obvious that they have their own tool that they want you to own in order to decrypt that data.
  • by winkydink ( 650484 ) * <sv.dude@gmail.com> on Tuesday April 19, 2005 @01:09PM (#12283225) Homepage Journal
    to allow Adobe to decrypt the white balance information? This is a very high-end camera, one that many of its users will by to shoot in raw mode. If the #1 tool for post-processing (PS) isn't going to do the job, that will cut into camera sales, will it not?
  • by RaboKrabekian ( 461040 ) on Tuesday April 19, 2005 @01:09PM (#12283227) Journal
    ...is, of course, for Adobe to license the decryption algorithm from Nikon.

    Exactly. Or choose not to support the camera. I can't imagine Nikon not trying to get Photoshop support to be rock solid, but that's their choice.

  • Re:License (Score:2, Insightful)

    by Scuff ( 59882 ) on Tuesday April 19, 2005 @01:10PM (#12283243)
    From my understanding, the format is only used in a very limited amount of very high end cameras, and appealing to the niche market that would be using this probably isn't worth the licensing fees, more so if you consider that it seems more likely to result in lost sales for Nikon than it would for Adobe.
  • Re:encrypted? (Score:2, Insightful)

    by MankyD ( 567984 ) on Tuesday April 19, 2005 @01:11PM (#12283264) Homepage
    I did read the article. I guess I'm just dissappointed.
  • by jkabbe ( 631234 ) on Tuesday April 19, 2005 @01:12PM (#12283270)
    There's a difference in principle between encryption to protect content owned by the corporation and encryption simply created to extract money from third-party vendors.

    If I take a picture with a Nikon camera, I own the content. Shouldn't I be able to do what I want with it?

    Furthermore, what grounds would Nikon have for suing Adobe based on Adobe's violation of encryption that is protecting my copyrighted works? IANALY, but isn't there a "standing" issue here?
  • by mrRay720 ( 874710 ) on Tuesday April 19, 2005 @01:13PM (#12283281)
    With the professional imaging market essentially BEING Photoshopm I'd expect that the camera guys would be falling over themselves to have increased support from Photoshop? Sure they might gain a few $s this way selling their own cruddy software, but look at it this way:

    -Photoshop pros looking for a camera - lots.

    -High end Nikon owners looing for an imaging app other than Photoshop - few.

    Nikon use your brain - Photoshop IS the high end imaging market. Preventing improved Photoshop support is pretty much the same as preventing more profit.
  • by drdanny_orig ( 585847 ) * on Tuesday April 19, 2005 @01:13PM (#12283292)
    Other than calling and writing to our representatives, how else do we make our concern known?

    How about by buying a Canon camera?
  • by genner ( 694963 ) on Tuesday April 19, 2005 @01:15PM (#12283319)
    Nikon is going to take the hit for this one. Adobe is basically a monopoly when it comes to image processing. If they leave support for Nikon out of their product they won't sufffer a bit, but Nikon will.
  • by stlhawkeye ( 868951 ) on Tuesday April 19, 2005 @01:15PM (#12283320) Homepage Journal
    This PR blows for Nikon, who is marketing a high-end camera to elite users. That's a fickle market of people who weigh purchasing decisions carefully. I bet Adobe and Nikkon resolve this problem within 3 weeks. Save this post so you can see if I'm right!
  • I believe the parent poster was using a bit of sarcasm.

    When Adobe used the DCMA to go after Russian programmers (a move they rescinded and let the FBI do for them), the DCMA was a great and wonderful thing.

    Now, Adobe's learning what a poison pill the DCMA really is. Will this cut short their support for such a law, or next time make them fight such onerous challenges to reasonable copyright as set out by the founders of the United States?

    Anyway, that's what I think the poster was talking about.

    As for the last part, Nikon could sue Adobe under the DCMA, which states that you can crack encryption for personal use - but you can't tell anyone else how to do it. If Adobe releases a tool that cracks Nikon's encryption algorithm, then Nikon could go after them for some imagined damages.

    The best thing is for Nikon to realize their heads are up their asses, remove this stupid encryption algorithm, and for both sides to state publicly that the DCMA is a bad, bad, bad law and they will never give money to any politician who supports it.

    Yeah. And monkeys might fly out of my butt, too.
  • Agreed. (Score:3, Insightful)

    by MisanthropicProgram ( 763655 ) on Tuesday April 19, 2005 @01:16PM (#12283332)
    Because if they stick to their own format, there's always: Cannon, Pentax, or some other company that will use a standard format.
  • by Kaa ( 21510 ) on Tuesday April 19, 2005 @01:16PM (#12283333) Homepage
    So I wonder if Adobe feels there's a lesson to be learned here...

    Unfortunately, it's not Adobe who'll be suffering. This is a pure case of Nikon shooting themselves in the foot. With a bazooka, might I add...
  • by dmolavi ( 822749 ) on Tuesday April 19, 2005 @01:16PM (#12283340) Homepage Journal
    I wonder how much this will hurt Nikon. Of the professional photographers I know, they're split 50/50 between Nikon and Canon. All of them use Photoshop. None of them read /. , so I hope that Nikon makes this little crippleware feature glaringly obvious on their packaging, as I'd hate to see photographers get burned by this.
  • Re:License (Score:5, Insightful)

    by CaptainZapp ( 182233 ) * on Tuesday April 19, 2005 @01:18PM (#12283355) Homepage
    So why not license it from Nikon?

    Because it always makes my hemerroids itch, when a manufacturer demands a toll in order for me to access my data.

    I hope this helps.

  • Re:foolish? (Score:4, Insightful)

    by spicyjeff ( 6305 ) on Tuesday April 19, 2005 @01:20PM (#12283381) Homepage
    Adobe is trying to strong-arm Nikon. Nikon does license the encrypted format infomation. Adobe either doesn't like the terms or wants to try to get something for nothing and releases this story to the media saying its not their fault they can't break the law. Hoping that everyone will scream at Nikon for allowing this to happen, in turn Nikon will need to fold to save public opinion.

    Lots of people have file formats that are DMCA protected, including Adobe. And I bet Adobe wants you to pay their licensing fees...
  • Agreed... (Score:5, Insightful)

    by Chordonblue ( 585047 ) on Tuesday April 19, 2005 @01:21PM (#12283398) Journal
    Adobe should get on the horn with Nikon's legal dept. and inform them that there will be a sticker on Adobe's packages and full disclosure on their website about Nikon support.

    Truly no issue here. Let Nikon make their own Photoshop if they want, but I think this is going to be 'case closed'.

  • by Anonymous Coward on Tuesday April 19, 2005 @01:21PM (#12283400)
    More likely they will use the Nikon software for dealing with RAW. It is amazing. As for people interested in buying the D2X/H cameras, shopping around probably isn't an option. These are system cameras. If a photographer is at the point where they need this level of camera, they probably already have an assortment of Nikon lenses and speedlights. Buying a Canon D2s MkII, which is probably the better camera (I haven't seen much on the Nikon) isn't an option. They are in the same price range for the body, but a Nikon user would have to spend several thousand dollars more for the Canon because the accessories are not compatible.
  • by cubase_dag ( 827101 ) on Tuesday April 19, 2005 @01:21PM (#12283405) Homepage
    I'm a professional Photographer, and I recently purchased a D2H, and wheter or not nikons raw format .NEF, is fully supported, I would still Buy Nikon. Because All of my lenses are Nikon. And What This article is forgetting is that Nikon Has A plugin that does the same thing as the adobe plugin. And Its FREE.

    What a lot of people seem to forget is that ALL of the Raw formats Implemented By the camera manufacturers are Proprietary and encrypted. Canon Is no different. The only reason anybody is raising complaints is because nikon has not yet released the newest version of their Raw Format to adobe.

  • by SirGeek ( 120712 ) <sirgeek-slashdot ... .org minus berry> on Tuesday April 19, 2005 @01:24PM (#12283432) Homepage
    The DMCA is having very far-reaching effects, all of which I'm sure were not contemplated or foreseen by the people who drafted the DMCA.

    Bullshite. They knew exactly what the law would be used for and by whom. This law was drafted for the sole purpose of kissing the collective asses of big business.

    The thing I hate about this sort of legislation, is that once it's on the books, it's very difficult to get repealed.

    Which is why they just keep writing new laws to do the same thing as older laws ( just adding new "technologies" ) rather than changing the old laws to be more technology neutral.

    Other than calling and writing to our representatives, how else do we make our concern known?

    We can't. In general, we don't have enough clout to get the politicians to even listen to us, let alone to get them to actually hear us.

  • by fsck! ( 98098 ) <jacob.elder@gmCHEETAHail.com minus cat> on Tuesday April 19, 2005 @01:24PM (#12283439) Homepage
    I think they are more interested in not looking like a bunch of hypocrites. Remember the Adobe eBook fiasco? If they look at this problem and say (by their actions) that the DMCA is stupidly getting in the way of getting perfectly legitimate work done and break the encryption, they loose.
  • by Anonymous Coward on Tuesday April 19, 2005 @01:25PM (#12283440)
    I think what we're seeing here is Adobe's opening shot in what they hope will be a publicly visible dispute.

    As many noted, this hurts Nikon. And hurts them plenty.

    Why wouldn't Adobe simply license the technology? Why should they? Why should they pay Nikon for the ability to decrypt information that has no business being encrypted in the first place?

    More to the point, Adobe is simply not going to open the floodgates here. If they pay the license fee here, they've told every camera manufacturer "hey, build in some pointless encryption and we'll pay you money!"

    Adobe's putting Nikon, and by extension the industry, on notice here. They're not going to be blackmailed into licensing pointless technology for DCMA issues. They'll drop your product first. And, as Nikon is sure to learn, they've got a lot more to lose than Adobe.

    Looks like Nikon gambled here that Adobe would pay up to keep support for Nikon's product. And lost.
  • by John Seminal ( 698722 ) on Tuesday April 19, 2005 @01:28PM (#12283484) Journal
    People who would be purchasing a high-end camera like the D2X and D2H would probably only be doing so to use a high-end piece of software to manipulate the 12+MP digital images.

    Everyone I know who spends mucho money on camera's has photoshop. It has been that way the past 10 years. Excluding support for photoshop from a camera is like blocking AOL from your modem. Sure, you got a modem, but there is a sizable chunk of people who won't use it.

    I know Nikon wants to sell their own software. But forcing people is the wrong way.

    I know this analogy is not 100% the same, but what Nikon is doing is like what a professional studio does. You pay them $400 for pictures. You then take the pictures to Walmart to make copies, but the guy working tells you they can't make copies of studio work.

  • by WillAffleckUW ( 858324 ) on Tuesday April 19, 2005 @01:30PM (#12283515) Homepage Journal
    Back in the old days, when they weren't used to prevent competition, but to encourage sub-licensing at a reasonable rate?

    Well, those days are gone, and the same's true for copyright and the DCMA.

    All your profits are belong to CEOs.

  • by StormReaver ( 59959 ) on Tuesday April 19, 2005 @01:31PM (#12283536)
    "How about by buying a Canon camera?"

    And writing to both Canon and Nikon explaining your purchasing decision.
  • Re:License (Score:3, Insightful)

    by gstoddart ( 321705 ) on Tuesday April 19, 2005 @01:31PM (#12283537) Homepage
    While someone in the past had explained in this very forum why RAW format is important (essentially minimizing detail loss due to JPEG's methods) I think it's a very short-sighted move on Nikon's part and it should be answered with "we don't need you Nikon!"

    Yes, let's all just walk away from one of the largest manufacturers of cameras on the planet.

    As much as it sucks, this is a limitation on how to get the highest resolution images from the camera. Nikon sells software to access these image files. Photoshop can't because Nikon won't let them.

    It sucks that Nikon isn't willing to open that up a little more, but if you're seriously deciding that people stop using Nikon en masse, you sorely misunderstand their position in the camera world.

    This is just one of many reasons why I bought a film-SLR last year instead of a digital one. (OK, the four-fold increase in price was also a huge consideration.)

    Rightly or wrongly, Nikon feels if you've already dropped a bunch of money on a professional quality D-SLR, the extra $100 or so to get the professional quality images out of it is not unreasonable.

  • Two thoughts. (Score:5, Insightful)

    by LaminatorX ( 410794 ) <sabotage@praeca n t a t o r . com> on Tuesday April 19, 2005 @01:31PM (#12283541) Homepage
    [Nikon friendly angle]
    Photoshop's RAW converter is considered by many in the industry to be mediocre. Nikon wants images from their flagship camera to be processed well, reflecting the quality of their product.

    [More Realistic Angle]
    Nikon wants to sell more copies of its Nikon Capture software, which is a superior RAW converter, hands down. $100 for a copy of NC is penuts to a pro, and the savings in their time will be significant.

  • because! (Score:1, Insightful)

    by Anonymous Coward on Tuesday April 19, 2005 @01:32PM (#12283552)
    Why should *I* pay YOU to support YOUR format?!

    YOU should be paying ME to support your format.

    Adobe has the upper hand here.
  • by SteveM ( 11242 ) on Tuesday April 19, 2005 @01:34PM (#12283586)

    Furthermore, several high-end photographers are extolling the virtues of stand-alone raw processors as an addition to their photoshop workflow.

    Unfortunately, no standalone raw processors can support Nikon's encrypted format

    I'm not saying that it's morally acceptable for Nikon to lock part of their RAW format, I'm just saying that the impact of this upon the pro photo world is far less significant then it would appear.

    Only if what you are saying is that having only one raw converter, Nikon's, is not significant.

    This is truely significant. What Nikon is saying is that Nikon owns the file and that the photographer does not.

    SteveM

  • Re:Good Grief! (Score:5, Insightful)

    by PPGMD ( 679725 ) on Tuesday April 19, 2005 @01:34PM (#12283587) Journal
    And the good burgers from Nikon intend to prevent direct access to crucial parts of the raw data of my images?

    I think I buy a Canon!

    It's not that simply for a majority of folks that are in the market for cameras like D2X. Most of them already have $10,000 or more invested into Nikon before you even factor the camera body in.

    Now they could sell all their Nikon stuff on Ebay for say $5,000, then spend another $10,000 buy the same things for Canon (even assuming that some of the older lens are available, you know the ones that we chipped to get working with the newer cameras).

    Sorry that may make sense on /., but it doesn't make sense to real photographers. A few may make that leap, but many will simply stay with their D1's (or even F5's with Provia, and Velvia), until Nikon and Adobe works things out, or someone makes a plug in that hacks it for them.

  • The real question: (Score:4, Insightful)

    by SoupIsGoodFood_42 ( 521389 ) on Tuesday April 19, 2005 @01:36PM (#12283605)
    "Where does Photoshop come in? As graphic arts software, it's great for removing a telephone pole, or adding a drop shadow, or affixing a caption to your photo. But if you're using it to crop or straighten an image, or adjust contrast, brightness, saturation and curves, or to apply filters, you simply don't need it."

    No. The real question is: If I already use Photoshop, why would I want Nikon Capture? After all, it only does half of what Photoshop CS can do, and won't be compatable with my clients.

    Pros aren't going to be dumping Photoshop any time soon. And while there're not, there's not much of a reason to use something else. Unless, of course, the company who made your camera is trying to lock you in, in which case you might consider another brand.

    Why is Nikon so hot and bothered about image editing all of a suddern anyway?

  • by shotfeel ( 235240 ) on Tuesday April 19, 2005 @01:38PM (#12283640)
    The DMCA is having very far-reaching effects, all of which I'm sure were not contemplated or foreseen by the people who drafted the DMCA.

    I wouldn't let them off the hook that easily. Our legislators were told by consumer rights advocates that this was the type of thing that would happen. Of course supporters of the DMCA told the legislators that nobody would ever stoop that low.

    Guess who they beleived?
  • by stubear ( 130454 ) on Tuesday April 19, 2005 @01:46PM (#12283750)
    Bullshit. Photoshop is still VERY relevant to the post-processing of an image once it's been converted from RAW. I'm not talking about applying cheesy filter effects either, rather adjusting the tonal range or the image, etc. Adobe is trying to eliminate the need for third parties to develop their own RAW format by creating the Adobe DNG (digital negative) format. They have asked for input form the photography industry, including camera manufacturers.
  • Re:License Bingo! (Score:5, Insightful)

    by mpapet ( 761907 ) on Tuesday April 19, 2005 @01:48PM (#12283783) Homepage
    I believe your question cuts to the heart of the matter.

    I'm imagining Nikon makes a presentation to Adobe about their products, "we need Adobe's support" blah blah blah. And then when Nikon gets to the specifics of their high-end camera they tell Adobe, "Nikon is giving Adobe a wonderful opportunity to license our RAW technology for use in Adobe products!"

    After Nikon buys Adobe people an expensive lunch, Adobe is indignant that they must license the RAW import technology. They are ADOBE SYSTEMS for gosh's sake. Adobe Engineering can hack their way into it, but Nikon's smart and is leaving the litigation door open.

    Adobe then attempts to reassert their dominance by making Nikon/DMCA out to be the bad guys (which IMHO they are not.)in the press in an attempt to get industry/public opinion on their side.

    I give Adobe kudos for doing whatever it takes to get a lower price/free technology. It takes real talent to make customers feel good while they take it up the a**. I'd be much better off if I could do it as well as they do.
  • by dgatwood ( 11270 ) on Tuesday April 19, 2005 @01:49PM (#12283784) Homepage Journal
    Well, this looks like a classic case of the pot calling the kettle black. Adobe likes the DMCA and even abuses it to protect ROT-13, but suddenly it "prevents" them from serving their customers and they're up in arms.

    Of course, it really doesn't, since everyone knows the DMCA only applies to encryption intended to protect copyrighted works, and color calibration data is just information that does not represent a creative work, therefore it can't be copyrighted.

    Moreover, even if you did consider that tiny portion of a photo to be a creative work, it is a creative work in which one can assume that the person opening the file is the person who took the photo, or at least working for the same company.

    Finally, the encryption isn't being explicitly added by the content producer (the photographer), which therefore means that it falls outside the DMCA by definition.

    So... it sounds like Adobe suddenly did an about-face and decided the DMCA is evil for reasons other than saving their backsides. Either that or (more likely) they have a bone to pick with Nikon over something else and they're using this as leverage. That would be my guess....

  • Re:Good Grief! (Score:2, Insightful)

    by Anonymous Coward on Tuesday April 19, 2005 @01:51PM (#12283830)
    And the good burgers from Nikon intend to prevent direct access to crucial parts of the raw data of my images?

    Stop jerking that knee. There was no "encryption" worthy of the name. It's been "broken" already, and the necessary function is already available in open source [cybercom.net]. If you read between the lines in the posted article, it sounds like Adobe hasn't even asked Nikon for permission -- possibly because Adobe thinks it has more to gain by fucking with Nikon in the court of public opinion and wants to be quite sure it doesn't have to offer any in-kind promises of immunity from its own IP abuse.

    If Nikon had sued anyone over this, or even claimed the right to sue, they'd deserve condemnation. They've done neither. The original article is in substance an Adobe press release, and ought to be regarded as such.
  • by Kaa ( 21510 ) on Tuesday April 19, 2005 @01:55PM (#12283899) Homepage
    wheter or not nikons raw format .NEF, is fully supported, I would still Buy Nikon. Because All of my lenses are Nikon.

    LOL. Well, you're locked-in, so when Nikon decides it wants some fun you HAVE to bend over with a smile. Fortunately, not everyone is in the same position. :-)

    What a lot of people seem to forget is that ALL of the Raw formats Implemented By the camera manufacturers are Proprietary and encrypted

    All are proprietary, but as far as I know Nikon's is the first one with encrypted parts. Since the encryption is easily broken, its only purpose seems to be to invoke the threat of DMCA.

    The only reason anybody is raising complaints is because nikon has not yet released the newest version of their Raw Format to adobe.

    It seems pretty clear from the article that Nikon is NOT going to allow Adobe to decrypt the .NEF raw files...

    As I said, it's pure Dilbert. Nikon got itself a bazooka, took careful aim at its foot and fired...
  • It's a test. (Score:2, Insightful)

    by Glytch ( 4881 ) on Tuesday April 19, 2005 @02:07PM (#12284024)
    Today, white balance. Tomorrow, EXIF. Later, the sensor pattern. Slippery slope, man.

    What I don't understand is why they're going through with this insanity when far behind Canon in terms of new DSLR technologies and doing so poorly in recruiting customers. Sure, they're getting sales from pros who've already got a load of Nikon glass, but people starting from scratch, or pros who have the cash to invest in new lenses and bodies, will just switch to Canon and their superior DSLR linup. Tell me again, Nikon die-hards, where's the Nikon answer to the 20D? The entry-level Rebel XT? Where's Nikon's equivalent of the full-frame 1Ds Mark 2? Oh, that's right. There isn't one. There's just a D2X with 12 million tiny little photosites jammed onto an APSC-sized Sony-made sensor. Oh, and an overweight, underperforming Kodak-made monstrosity that doesn't work well past ISO100 anyway. Ick.
  • by dillon_rinker ( 17944 ) on Tuesday April 19, 2005 @02:13PM (#12284092) Homepage
    Interesting. Let's see if I understand correctly:

    1. Our canned response to a a frequently asked question produced hostility in some customers.
    2. Therefore, the customers are idiots.
    3. ????
    4. Profit!

    Permit me to suggest that a better answer would be "Some camera manufacturers use a proprietary format and call it RAW. What camera are you using?"

    If you are in customer service, I guarantee you that something close to 100% of your customers are idiots. (Dilbert's law - "Everyone is stupid about something sometime.") Your goal should not be to find better customres, but to accomodate the stupidity of your customers while making them happy to give you their money. That's the theory. In practice, when the customer's stupidity makes them unhappy about reality, you find a way to present the reality in a factual, accurate way that does not reflect badly on you. I call it "honest spin." In some cases there is NO honest spin that will make the customers happy; in this situation, you either lie or fire the customer.
  • Truly no issue? (Score:1, Insightful)

    by Anonymous Coward on Tuesday April 19, 2005 @02:24PM (#12284192)
    Nikon will probably sign off, but the issue still stands. Reading your data off of your hardware should not involve lawyers.
  • by jkabbe ( 631234 ) on Tuesday April 19, 2005 @02:26PM (#12284216)
    It's not *your* copyrighted material this whole Nikon business is dealing with, it's Nikon's encryption algorithm.

    All I can suggest is that you read the US Code. You'll see that the copyrighted material is a crucial requirement.

    If Nikon wishes to patent it's encryption/decryption algorithm for this particular purpose, it's free to do so. But the DMCA cannot be used to replace the patent system. Unless the purpose of the measure (in this case, encryption) is to protect the copyrighted work (that belongs to me) from others (people NOT me), it isn't covered by the DMCA.
  • by andydread ( 758754 ) on Tuesday April 19, 2005 @02:34PM (#12284309)
    So many people forget that Adobe is and BIG sponsor of the DMCA and as a big member of the BSA has lobbied hard for the DMCA. So I am afraid that I cannot feel sorry for Adobe in this case. They deserve what they get. They had the Russian kid arrested for doing they same thing. So Screw-em. The should just license the code from Nikon and stop whining. HEY ADOBE! You and the BSA lobbied for this crap. Live with it.
  • by metamatic ( 202216 ) on Tuesday April 19, 2005 @02:36PM (#12284329) Homepage Journal
    Personally, I don't want the camera manufacturer telling me what software I can use to read my photographs. Would you accept it if Nikon told you you were only allowed to get prints using Fuji labs?

    I also don't want my photo library to depend on some secret file format that may end up being completely unsupported and unreadable in ten years' time. What if Linux takes over the desktop, but Nikon decide not to bother with a file format reader for Linux? What if Nikon go out of business, and Windows 2010 can't run the plugin to read your library of thousands of images?

    I absolutely demand that all my photos be in an open, documented file format. And I think you're being foolhardy not to demand likewise.

    Sure, you can use the RAW converter on each image as you take them, convert to a sensible format like PNG, and store that--but you're losing information by doing so, making the Nikon a much less appealing and less professional camera.

    The really professional companies like Hasselblad understand this, and have committed to Adobe's open DNG raw format [photoworkshop.com]. I wouldn't buy any camera that pretended to be "professional" but didn't support DNG or some other open file format.
  • by Jason Earl ( 1894 ) on Tuesday April 19, 2005 @02:36PM (#12284331) Homepage Journal

    It's not about the costs of a lawsuit. Adobe has several projects that rely on the DMCA to work. Take encrypted PDFs, for example, or Adobe's encrypted ebook format. When push comes to shove Adobe is heavily invested in the idea of proprietary closed formats.

    There response to Nikon's use of a closed format is typical. Like Adobe's so-called secure formats Nikon's RAW format isn't really encrypted, but is instead merely obfusticated. With a little engineering Adobe could read the information they need just fine. However, doing so would weaken the DMCA, and Adobe doesn't want to do that. So instead they are putting economic pressure on Nikon. Adobe knows that quite a few of Nikon's users are going to want to edit their photos in photoshop. Adobe is using its market position to influence Nikon to change its mind.

    Eventually Nikon will probably relent and give Adobe permission to open these files. Not only would this give weight to Adobe's interpretation of the DMCA, but if Nikon only gives permission to Adobe to open these files then it would give Adobe a market advantage. After all, Photoshop would be able to get the most out of Nikon's raw format and Adobe's competitors would not.

    No one really considers Dmitry a blackhat, probably not even the folks at Adobe. The difference is that Adobe feels that it should be possible to make reverse engineering formats illegal, and Dmitry got in the way.

  • Re:encrypted? (Score:5, Insightful)

    by mindstrm ( 20013 ) on Tuesday April 19, 2005 @02:45PM (#12284451)
    Breaking encryption is not a DMCA violation.

    Breaking encryption that controls access to a copyrighted work is what is against the DMCA.

    Unless nikon is claiming copyright protection on their white balance information, it woudln't have much of a chance of winning (and it's hardly an original or creative work)

  • by monkeydo ( 173558 ) on Tuesday April 19, 2005 @02:45PM (#12284453) Homepage
    Well, this looks like a classic case of the pot calling the kettle black. Adobe likes the DMCA and even abuses it to protect ROT-13, but suddenly it "prevents" them from serving their customers and they're up in arms.

    I don't see any evidence that Adobe is "up in arms." It seems to me that they are respecting what another company sees as that company's IP. The slashdot crowd may be up in arms, but I'm pretty sure that no one here (officially) speaks for Adobe.
  • by SnowDog74 ( 745848 ) on Tuesday April 19, 2005 @03:16PM (#12284868)
    "Raw" data is unaltered, yes, but it isn't "straight off the sensor"... It's straight off the A-to-D, the Analog-to-Digital converter, which is hardwired directly to the sensor in a manner that cannot be bypassed.

    .NEF however, is not uncompressed... It's a proprietary lossless compression format. So, no, raw is not a format... but .NEF is.

    Photoshop does not directly, officially support .NEF, but the PictureProject software with the D2H and most Nikon digital SLRs (including the D70, which I have), has a plugin for Photoshop that allows import of .NEF files into Photoshop, with a control panel for white balance and exposure adjustment during import. It's not as decent in terms of absolute resolution or artifact elimination compared to Nikon Capture Editor, but it's reasonable.

    The best method for transferring work to Photoshop with the fewest artifacts and best absolute resolution/clarity would be to convert the image to a TIFF in Nikon Capture Editor or View Editor first.

  • Oh the irony (Score:3, Insightful)

    by Qrlx ( 258924 ) on Tuesday April 19, 2005 @03:34PM (#12285081) Homepage Journal
    Let me be about the bazillionth person to point out the Irony.

    Adobe went after Sklyarov with the DMCA for removing Adobe's ebook protections.

    Now they're on the other end of the stick, and have to cripple their premier application.

    I wonder if they still think they did the right thing by going after Dmitry.

    Someone explain to me how white balance information on a picture you took, on a camera you own, is any of Nikon's business. DMCA or otherwise.
  • Re:Disagreed! (Score:3, Insightful)

    by elmegil ( 12001 ) * on Tuesday April 19, 2005 @04:16PM (#12285555) Homepage Journal
    Why fight when it's easier and cheaper to turn it into a PR nightmare for Nikon?
  • The Corporate View (Score:5, Insightful)

    by johnos ( 109351 ) on Tuesday April 19, 2005 @06:31PM (#12286849)
    From a completely ruthless business point of view, Nikon has made a monumentally stupid decision. Really, this is one for the text books. If they don't about face immediately, they will lose the professional market entirely. Though more conservative than the typical slashdot reader, pro photographers are even more jealous of their rights. And no matter how you spin it, Nikon appears to be encrypting some of my information for the sole purpose of selling me software to decrypt it. That's extortion.

    But that's not the monumentally stupid part. The once-in-a-lifetime blunder is in the numbers. In order to pull a few million in software sales, they are throwing away a billion dollars in brand value. Value that took 50 years to build. Value they will likely never be able to reclaim. That brand recognition gets them shelf space in stores, and ensures their cameras are reviewed by journalists, and gets their products support from companies like Adobe. The annual worth of those benefits is probably 10x the revenue they could hope to pull from their software. Unbelievable.
  • by Anonymous Coward on Tuesday April 19, 2005 @08:58PM (#12288053)
    Wrong. Very few raw formats are encrypted (Sony being the main offender here), and ALL widely used raw formats (several hundred) are read just fine by the well known open source program dcraw, thanks to fully legal reverse engineering of the formats (including Sony and Nikon D2X by the way).

    Your statement makes you sound like you've been brainwashed by the word "proprietary" - people will just reverse engineer it if the vendor won't cooperate, and the DMCA has no relevance here (since YOU own the copyright to your own photos).

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