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Beware the Apple iPhone iHandcuffs
Posted by
CmdrTaco
on Sun Jan 14, 2007 10:26 AM
from the future-of-gizmos dept.
from the future-of-gizmos dept.
Nrbelex writes "Randall Stross makes a fresh and surprisingly accurate review of one of the biggest "features" in the upcoming iPhone and the iPod in general, 'fairplay'. Stross writes, 'If "crippleware" seems an unduly harsh description, it balances the euphemistic names that the industry uses for copy protection. Apple officially calls its own standard "FairPlay," but fair it is not.... You are always going to have to buy Apple stuff. Forever and ever.' Can mainstream media coverage help the battle over DRM or will this warning, like those of the past, continue to go unnoticed?"
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Just rip your CD's fool (Score:5, Insightful)
Re:Just rip your CD's fool (Score:5, Insightful)
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Re:Just rip your CD's fool (Score:5, Informative)
Well, he also blames Apple. He gives the example of eMusic, which sells a lot of music from independent labels without DRM (and that of course with the labels agreement). The same music is sold by Apple in the iTunes Store with their fairplay DRM. It seems that in theses cases Apple's assertion that "we have to use DRM, otherwise the labels would not allow us to sell the music" is not true.
So I guess he has a point, although I don't agree with everything he says. Starting with the headline: the problem is not the iPhone (or the iPod), the problem is the iTunes Store. If you decide to buy your music somewhere else (like - gasp - CDs) you are not locked in at all. But, OK, the iPhone is what all the buzz is about right now, so that's probably the reason for the choice of headline. He also says that by buying the iPhone, you have to use the iTunes Store if you want to buy music online. Then he goes on to give the example of eMusic, which sells millions of songs online in MP3 format without DRM. Obviously, these files will also work on any Apple device.
So, his arguments are at some points a bit flawed, but I think the general intention of raising the awareness for the possible pitfalls of buying DRM music has to be applauded.
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Re:Just rip your CD's fool (Score:5, Insightful)
Well, apparently, from an earlier poster...Apple sells these same songs on iTunes that are sold by eMusic (without drm), but, Apple puts DRM on these songs just like from the 'majors'.
I wonder why Apple doesn't see the songs that are ok'ed to be sold without DRM, without DRM? I think Apple would lose a lot of flac they get over iTunes if they did sell some content without Fairplay on it...as long as it was authorized by the labels to do so.
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Re:Just rip your CD's fool (Score:5, Insightful)
To a certain degree, I can understand it as a part of Apple's "One Size Fits All" marketting (which I happen to think is damn effective). Currently, when you download a music off of iTMS, every file has the same restrictions, and allows the same freedoms. On the public front, this is simply to make it "easier for the consumer". But in actuality, it is a cover, a little trick to keep record lables from ever pushing more severe DRM... if they put up an umbrella specification on their files, and make a big stink about how it is for user-friendliness, the recording industry just flat out can't argue with them.
Apple's DRM reflects their pricing: 99cents per song. Sure, maybe there could have been a few songs here and there placed at 75cents, but it makes sure that no songs are priced at $3. Their DRM policy is invasive, to be sure, but on the scheme of things, it's the least invasive that ever has been, but it keeps the record industry to go any further.
The bottom line is, DRM has no benefit to Apple. The iTMS is a loss or "break-even" leader, in order to sell iPods... and it's possible that not having DRM would result in a FEW more iPod sales. They have no personal reason to ever want DRM on their material... but they gotta, according to the recording industry. People act like they're not fighting it. They're fighting it like crazy, but they know that they can't win without some form of compromise. DRM is simply one part of the music industry's grand scheme of controlling media. Apple put their foot down when it came to pricing, and they came up with one of the least invasive DRM schemes ever. And the reason they've been able to keep with both of these is because they are completely unwavering in their support of this system. If they were to start selling a few non-DRM tunes, the recording industry would see this as a new-found flexability in Apple's infrastructure, and try to take advantage of that.
This might sound fanboyish, but there's a lot of psychology going in to play here. By setting one universal standard, and utterly keeping with it, it creates a rock-solid wall in which the recording industry can't touch.
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Re:Just rip your CD's fool (Score:5, Informative)
1. Rip your own CDs. Legal.
2. Borrow your friends' CDs and rip. Not legal in USA.
3. Buy MP3s from AllofMP3.com. Legal in Russia.
4. Buy MP3s from eMusic.com. Legal.
Plenty of sources for music that don't involve iTunes Music Store.
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Re:Just rip your CD's fool (Score:4, Insightful)
1. The actually genuinely concerned consumer activists, who don't realize Fairplay is really as good a DRM system as we're probably ever going to get, consumer-wise.
2. The people who are royally pissed that THEIR DRM isn't the stuff being shoved down everyone's throats.
Of course, #2 has some sub camps, based on motivation.
- There are the people who are just royally pissed that they aren't getting the online music sales or MP3 player sales they "deserve" since they're "in the industry", so they obviously deserve a competition free environment. Forever. (The "real" music publishers.)
- There are the people who are royally pissed that the DRM doesn't include a rootkit, doesn't cost $5 a song, allows you to play the songs more than once, allows you to move your music onto normal CDs, onto multiple players, etc. (The anti-fair use people.)
- And there are the people who are pissed that the iNdustry (iPod, iTunes, etc) seems to be propping up Apple, which they thought they had killed off so long ago that no one would notice them borrowing features and themes from OS X for their new big name Operating System release... (The Windows die-hards, not all of which are centered in Redmond.)
All 3 of these camps can easily afford to pay for an astroturfing campaign, so... Who knows?
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Buying Apple is like getting married (Score:5, Funny)
Buying Microsoft is like losing your virginity (Score:4, Funny)
Then you realize you have 17 viruses.
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Re:Buying Microsoft is like losing your virginity (Score:5, Funny)
Then you realize you have 17 viruses.
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This is dumb! (Score:5, Insightful)
As far as I'm considered, this is a stupid argument. Slam Sony instead. How about a $400 DVD plaver that won't play MP3 file.
Re:This is dumb! (Score:5, Funny)
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Article is about iPod, not iPhone (Score:5, Insightful)
phozz
Don't buy it if you don't like it... (Score:4, Insightful)
Re:Don't buy it if you don't like it... (Score:4, Informative)
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Locked music? What about locked OS? (Score:5, Interesting)
Personally, I was pondering how to make the business case for an iPhone at work until I read about the current 3rd party app limitation. As someone who's used the PalmOS for 10 years, I am *not* going back to one-vendor sourced apps. {Prof. Jonathan Ezor, PalmAddict Associate Writer} [typepad.com]
Re:Locked music? What about locked OS? (Score:5, Insightful)
As a long-time PalmOS user, I look to Palm for both negative and positive examples. Palm's success was built not on the PIM applications, but on 3rd party tools, and while Palm offered certification for software programs, it didn't require certification in order for programs to run. Not only did that drive innovation by 3rd parties, but many of those 3rd party developments put pressure on Palm to extend the basic OS accordingly. Tapped drop-down menus, fullscreen Graffiti entry, running apps off SD cards, full backup (not just PIM apps) and hard button reassignment all began as 3rd party innovations, and were later adopted by the PalmOS. At the same time, though, Palm's uncertainty about whether it was a hardware, software, or OS company has led to stultification of the underlying PalmOS, to the point where the iPhone has a real opportunity not only to get Treo users but non-smartphone users like me (I use a T|X) to cross over, if it's done properly by Apple.
I'm not counting Apple out by any means, nor am I assuming that 3rd party developers won't be able to create homebrew apps that will load and run on the iPhone, Apple-certified or not. That said, I hope that Apple is looking at the PDA rather than cellphone market for inspiration. Otherwise, this Newton 2007 may rot unpicked. {Prof. Jonathan}
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Apple picked the least evil option (Score:5, Insightful)
Anti-Apple week (Score:5, Informative)
I own an iPod (3rd gen or something), works great with the hundreds of CDs I own and ripped. I bought 1 song on the iTunes store. The article lie in implying the iPod is limited to FairPlay music. This is not the Zune, iTunes doesn't add a DRM layer to your music. It plays non-DRMed songs just fine.
I own a Mac, plays all the fansubbed unlicensed anime series I get on bittorrent. Works even in FrontRow. And on the video iPod and Apple TV if I batch convert them to H264. Again, non-DRMed video plays fine.
So, allow me not to be scared.
If you want to worry, check the big brotherish content protection in Vista:
A Cost Analysis of Windows Vista Content Protection
http://www.cs.auckland.ac.nz/~pgut001/pubs/vista_
Re:Anti-Apple week (Score:5, Insightful)
Allow me to present my Apple credentials. An original LC owner from around 1993 (I think), then skipped out but back in for a 12" Powerbook when Jaguar was released. Our household has a MacBook Pro, a MacBook, a dual G5 tower, an (Intel) Mac Mini and an SE/30 for nostalgia. Pro-Apple enough perhaps? Well then, I think that as announced so far, the iPhone is a poor product.
I love the look of the interface, though in practice I do wonder how well it's going to stand up to daily use (smears on the screen etc.). Right now though, the hardware itself just looks too weak to me. Not enough features for the cash - my N70 already does functionally more than the iPhone, and that came as a freebie with my contract. I'll admit the Nokia interface is terrible in comparison, but for me at least the OS X interface isn't enough to compensate for the lack of capability in the phone. Not asking for the moon on a stick here - everything I've mentioned can currently be done by other phones, all but GPS in already done by my freebie N70.
Roll on v1.x please.
Cheers,
Ian
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I'm confused.. (Score:4, Insightful)
This is the same argument every time a new iPod comes out... "hey, it only works with songs from iTunes" and "iTunes only works with iPods." No shit. We know this by now. This article really has nothing to do with the iPhone specifically, it's just another DRM bashing article. Which is fine, I'd love to see it gone as much as the next guy... but as far as DRM goes, Apple's is pretty "fair" IMO and definitely simple.
I spend almost 2 hours yesterday trying to get my little sister's Sansa to work with some songs my mom bought for her from the Walmart music store. Now THAT is some crappy DRM. Crappy software. Crappy everything.
Ugh sundays... (Score:5, Insightful)
It ends with him saying maybe his boss shouldn't bring him every piece of trash he happens to find.
This, and most 'Sunday' driver stories on
Really the issues is that PlaysForSure DRM doesn't work on the iPod. That's almost always what the bitchin' is about. Well, it doesn't work on the Zune either. And on the flip side, FairPlay doesn't work on their media players. It's not the Mp3 (or in this case iPhone) player's issue. In this case, Apple doesn't support PFS because 1.) MS has never been very forthcoming in sharing and 2.) When Apple is totally and completely dominating a single market they just don't need second rate technology.
The good news is that the iPod plays Mp3s. First and foremost. Playing a DRM-ed song is just an annoyance that people have to put up with if they want easily acquired legal digital music. I told people for years that the reason I used Napster was because there was no effective alternative. When Jobs opened the iTunes store (before anyone else mind you), I had to pay the piper. If I continued to steal my music at that point, I could claim no moral high ground, and I would have been robbing the artists just as much if not more than the RIAA. So, I started buying music from the iTunes store. Yeah, it's DRM-ed, yeah I'll probably be stuck buying iPods for a long time. What a shame. Fortunately for me, and everyone else, iPods have really been popular and easy to come by.
Stories like this just make me wonder WTF we even show up here for on Sundays. Go back to bed. Wake up later. Watch the playoffs.
article about ITMS, not iPod or iPhone (Score:5, Insightful)
Second, fairplay is not the primary format of the iPod, or even iTunes, and presumable not the primary format of the iPhone. The songs are not translated to a Fairplay format, or any other format, when copied to the iPod. Songs are not by default imported into iTunes as Fairplay files, and there is not even an option to so do. I do not think Apple marks files that are imported in iTunes at all. And while the default import format is the is ACC, is it easy to change it to MP3 which is compatible with most players, except maybe Sony.
So fairplay will only effect users that buy songs from iTunes, and only those songs that are bought from iTunes and not burned to CDs. This is all covered in the article, but not the summary
The article is really about the fact that Apple will not license fairplay. This is really indicates a sad state of writing. First the author decries Fairplay as crippleware, and then complains that it cannot be acquired universally. This is like complaining that polio is a horrible disease, but innoculations means most of us won't get it. The article is correct that if you use the iTMS, you must buy apple stuff. The logical response to this is not to use the iTMS, and fight for non DRM online formats.
Then the article goes onto say that MS is better because it does license formats, but then has to admit that the Zune does not use the format. What the article does not admit is that this situation indicates that there is no money to be made in licenses DRM formats and thus compete with walmart on price instead of locking consumers in to an optional online format.
The point that the article does get to, after losing all credibility, is that consumers may end up with songs a product they cannot use. They may buy Play for sure, and then buy a zune or an iPod. They may have a collection of iTMS tracks, and then buy a Sandisk, in which case they will have to butn all the tracks to CD and reimport then. What the article does not mention is that we did this all before when we copied all our vinyl to tape, and even worse when we replaced all our vinyl with CDs.
I really believe that this article is the case of an uninspired writer cribbing from old articles. The lesson learned, and probably needs to be taught to the masses, is if possible buy a used CD and rip it to your computer.
DRM Jail (Score:5, Insightful)
I bought Pink Floyd's _Dark Side of the Moon_ on vinyl, on "audiophile" vinyl, on cassette, on CD, on "remastered" CD, and again a few times to replace worn-out copies of those (but never on 8-track, smartass - that was my copy of _The Wall_). But then I scanned my audiophile CD to HD/WAV, and have transferred it a dozen times: to backup CD in a closet, to mobile devices, to new HDs that aren't worn out, to SHN, then FLAC compression, to MP3 for streaming to my remote locations. I own that content, and I'll do whatever I want with it that's fair. If I want to prop up a wobbly table leg with the audiophile CD, I'll do it if I damn well please, even if the "license" I bought doesn't specify that use.
These record companies make most of their money from "catalog reissues". Records they made (usually cruelly unfair to artists) deals to sell decades ago, when they profited on their balance sheet. The biggest hits, that already paid for themselves many times over, are naturally the ones most desired to be played today. Because last generation's pop culture is this generations' folk culture - that's why we call our parents our "folks". The corrupt "copyright extension" monopoly laws are bad enough. "Enforcing" them beyond the publisher's rights, destroying rights and purchased privileges of the owner, and the public, is a culture-destroying crime.
And now, Microsoft has painted the picture for everyone to see. Make your player equal "Microsoft", and you'll pay for the privilege of using your own property as often as they "upgrade" their predictably buggy and inconvenient equipment.
Now is the time to make "DRM" as dirty a word as is "censorship". Kill it now, before it's permanently rooted, while people are still surprised to hear we have to dump our "old" content just to play it in some incrementally newer way.
Re:No just DRM like the iPod, but signed apps too (Score:5, Informative)
"With the iPhone, Apple is forcing Cingular to support and subsidize a phone that will save users money."
Apparently, RoughlyDrafted feels WiFi is ubiquitous and free while 3G data forces users into high fees. Couldn't be more stupid than that.
Likewise, its "substantiated look at how the iPhone is indeed running OS X" is nothing but substantiated. For example:
"Microsoft has intentionally referred to its various operating environments under the brand Windows, despite the fact that its Windows 95, Windows NT, and Windows CE products lines are all significantly different systems."
In other words, iPhone OS X is "OS X" like all flavors of Windows are Windows just as
"Despite losing the Finder, key ideas are retained on the iPhone that will be familiar to Mac users. Along the bottom of the home screen is an iconic list of its four principle functions: phone, mail, web, and iPod."
They are suggesting that the icons across the bottom of the screen are like the dock, never mind that my dock doesn't run across the bottom of my screen. Apparently, the dock constitutes the "key ideas" that make OS X what it is according to RoughlyDrafted. "Substantiated look" indeed.
The third party software article is even more absurd and offers nothing constructive at all. In fact it's not even worth a read. The author attempts to redirect the argument to the iPod, Zune, and Xbox ignoring the fact that those are fixed function devices while the the iPhone is specifically advertised as a pocketable computer. He also parrots the Apple line that 3rd party software is of unacceptably low quality while ignoring that fact that it's never hindered other computer platforms including the Mac itself and other smartphones before the iPhone. The rest of the article is full of mental masturbation, attempted demonstrations of expertise, and claims of Apple genious and capability. The most blatantly transparent apology of the three.
RoughlyDrafted is just another Apple apologist blog and brings nothing new or interesting to the discussion.
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