Artist Keith Thomson is a modern (and whimsical) Edward Hopper. And Apple TV says he created the "festive artwork" shared on X by Apple CEO Tim Cook on Christmas Eve, "made on MacBook Pro."

Its intentionally-off picture of milk and cookies was meant to tease the season finale of Pluribus. ("Merry Christmas Eve, Carol..." Cook had posted.)

But others were convinced that the weird image was AI-generated.

Tech blogger John Gruber was blunt. "Tim Cook posts AI Slop in Christmas message on Twitter/X, ostensibly to promote 'Pluribus'." As for sloppy details, the carton is labeled both "Whole Milk" and "Lowfat Milk", and the "Cow Fun Puzzle" maze is just goofily wrong. (I can't recall ever seeing a puzzle of any kind on a milk carton, because they're waxy and hard to write on. It's like a conflation of milk cartons and cereal boxes.)
Tech author Ben Kamens — who just days earlier had blogged about generating mazes with AI — said the image showed the "specific quirks" of generative AI mazes (including the way the maze couldn't be solved, expect by going around the maze altogether). Former Google Ventures partner M.G. Siegler even wondered if AI use intentionally echoed the themes of Pluribus — e.g., the creepiness of a collective intelligence — since otherwise "this seems far too obvious to be a mistake/blunder on Apple's part." (Someone on Reddit pointed out that in Pluribus's dystopian world, milk plays a key role — and the open spout of the "natural" milk's carton does touch a suspiciously-shining light on the Christmas tree...)

Slashdot contacted artist Keith Thomson to try to ascertain what happened...

A startup called Operation Bluebird is petitioning the US Patent and Trademark Office to strip X Corp of the "Twitter" and "tweet" trademarks, hoping to relaunch a new Twitter with the old brand, bird logo, and "town square" vibe. "The TWITTER and TWEET brands have been eradicated from X Corp.'s products, services, and marketing, effectively abandoning the storied brand, with no intention to resume use of the mark," the petition states. "The TWITTER bird was grounded." Ars Technica reports: If successful, two leaders of the group tell Ars, Operation Bluebird would launch a social network under the name Twitter.new, possibly as early as late next year. (Twitter.new has created a working prototype and is already inviting users to reserve handles.)

Michael Peroff, an Illinois attorney and founder of Operation Bluebird, said that in the intervening years, more Twitter-like social media networks have sprung up or gained traction -- like Threads, Mastodon, and Bluesky. But none have the scale or brand recognition that Twitter did prior to Musk's takeover. "There certainly are alternatives," Peroff said. "I don't know that any of them at this point in time are at the scale that would make a difference in the national conversation, whereas a new Twitter really could."

Similarly, Peroff's business partner, Stephen Coates, an attorney who formerly served as Twitter's general counsel, said that Operation Bluebird aims to recreate some of the magic that Twitter once had. "I remember some time ago, I've had celebrities react to my content on Twitter during the Super Bowl or events," he told Ars. "And we want that experience to come back, that whole town square, where we are all meshed in there." "Mere 'token use' won't be enough to reserve the mark," said Mark Lemley, a Stanford Law professor and expert in trademark law. "Or [X] could defend if it can show that it plans to go back to using Twitter. Consumers obviously still know the brand name. It seems weird to think someone else could grab the name when consumers still associate it with the ex-social media site of that name. But that's what the law says."

Wired published an article by California-based writer/programmer Sheon Han arguing that Ruby "is not a serious programming language."

Han believes that the world of programming has "moved on", and "everything Ruby does, another language now does better, leaving it without a distinct niche. Ruby is easy on the eyes. Its syntax is simple, free of semicolons or brackets. More so even thanPython — a language known for its readability — Ruby reads almost like plain English... Ruby, you might've guessed, is dynamically typed. Python and JavaScript are too, but over the years, those communities have developed sophisticated tools to make them behave more responsibly. None of Ruby's current solutions are on par with those. It's far too conducive to what programmers call "footguns," features that make it all too easy to shoot yourself in the foot.

Critically, Ruby's performance profile consistently ranks near the bottom (read: slowest) among major languages. You may remember Twitter's infamous "fail whale," the error screen with a whale lifted by birds that appeared whenever the service went down. You could say that Ruby was largely to blame. Twitter's collapse during the 2010 World Cup served as a wake-up call, and the company resolved to migrate its backend to Scala, a more robust language.

The move paid off: By the 2014 World Cup, Twitter handled a record 32 million tweets during the final match without an outage. Its new Scala-based backend could process up to 100 times faster than Ruby. In the 2010s, a wave of companies replaced much of their Ruby infrastructure, and when legacy Ruby code remained, new services were written in higher-performance languages.

You may wonderwhy people are still using Ruby in 2025. It survives because of its parasitic relationship with Ruby on Rails, the web framework that enabled Ruby's widespread adoption and continues to anchor its relevance.... Rails was the framework of choice for a new generation of startups. The main code bases of Airbnb, GitHub, Twitter, Shopify, and Stripe were built on it.
He points out on Stack Overflow's annual developer survey, Ruby has slipped from a top-10 technology in 2013 to #18 this year — "behind evenAssembly" — calling Ruby "a kind of professional comfort object, sustained by the inertia of legacy code bases and the loyalty of those who first imprinted upon it." But the article drew some criticism on X.com. ("You should do your next piece about how Vim isn't a serious editor and continue building your career around nerd sniping developers.")

Other reactions...

• "Maybe WIRED is just not a serious medium..."

• "FWIW — Ruby powered Shopify through another Black Friday / Cyber Monday — breaking last year's record."

• "Maybe you should have taken a look at TypeScript..."

Wired's subheading argues that Ruby "survives on affection, not utility. Let's move on." Are they right? Share your own thoughts and experiences in the comments.

Is Ruby still a 'serious' programming language?

The CEO of Epic Games, Tim Sweeney, has argued that platforms like Steam should not label games that are made using AI. From a report: Responding to a post on Twitter from a user who suggested that storefronts drop this tag, the industry exec said that it "makes no sense" to flag such content. Sweeney added that soon AI will be a part of the way all games are made. "The AI tag is relevant to art exhibits for authorship disclosure, and to digital content licensing marketplaces where buyers need to understand the rights situation," Sweeney said. "It makes no sense for game stores, where AI will be involved in nearly all future production."

Pew Research surveyed 5,022 Americans this year (between February 5 and June 18), asking them "do you ever use" YouTube, Facebook, and nine of the other top social media platforms. The results?

YouTube	84%
Facebook	71%
Instagram	50%
TikTok	37%
WhatsApp	32%
Reddit	26%
Snapchat	25%
X.com (formerly Twitter)	21%
Threads	8%
Bluesky	4%
Truth Social	3%

An announcement from Pew Research adds some trends and demographics: The Center has long tracked use of many of these platforms. Over the past few years, four of them have grown in overall use among U.S. adults — TikTok, Instagram, WhatsApp and Reddit. 37% of U.S. adults report using TikTok, which is slightly up from last year and up from 21% in 2021. Half of U.S. adults now report using Instagram, which is on par with last year but up from 40% in 2021. About a third say they use WhatsApp, up from 23% in 2021. And 26% today report using Reddit, compared with 18% four years ago.

While YouTube and Facebook continue to sit at the top, the shares of Americans who report using them have remained relatively stable in recent years... YouTube and Facebook are the only sites asked about that a majority in all age groups use, though for YouTube, the youngest adults are still the most likely to do so. This differs from Facebook, where 30- to 49-year-olds most commonly say they use it (80%).
Other interesting statistics:

• "More than half of women report using Instagram (55%), compared with under half of men (44%). Alternatively, men are more likely to report using platforms such as X and Reddit."

• "Democrats and Democratic-leaning independents are more likely to report using WhatsApp, Reddit, TikTok, Bluesky and Threads."

An anonymous reader quotes a report from TechCrunch: As generative AI content starts to fill our social apps, a project to bring back Vine's six-second looping videos is launching with Twitter co-founder Jack Dorsey's backing. On Thursday, a new app called diVine will give access to more than 100,000 archived Vine videos, restored from an older backup that was created before Vine's shutdown. The app won't just exist as a walk down memory lane; it will also allow users to create profiles and upload their own new Vine videos. However, unlike on traditional social media, where AI content is often haphazardly labeled, diVine will flag suspected generative AI content and prevent it from being posted. According to TechCrunch, a volunteer preservation group called the Archive Team saved Vine's content when it shut down in 2016. The only problem was that everything was stored in massive 40-50 GB binary blob files that were basically unusable for casual viewing.

Evan Henshaw-Plath (who goes by the name Rabble), an early Twitter employee and member of Jack Dorsey's nonprofit "and Other Stuff," dug into those backup files to try and salvage as much as he could. He spent months writing big-data extraction scripts, reverse-engineering how the archived binaries were structured, and reconstructing the original video files, old user info, view counts, and more. "I wasn't able to get all of them out, but I was able to get a lot out and basically reconstruct these Vines and these Vine users, and give each person a new user [profile] on this open network," he said.

Rabble estimates that through this process he was able to successfully recover 150,000-200,000 Vine videos from around 60,000 creators. diVine then rebuilt user profiles on top of the decentralized Nostr protocol so creators can reclaim their accounts, request takedowns, or upload missing videos.

You can check out the app for yourself at diVine.video. It's available in beta form on both iOS and Android.

Researchers from four universities have released a study revealing that AI models remain easily detectable in social media conversations despite optimization attempts. The team tested nine language models across Twitter/X, Bluesky and Reddit, developing classifiers that identified AI-generated replies at 70 to 80% accuracy rates. Overly polite emotional tone served as the most persistent indicator. The models consistently produced lower toxicity scores than authentic human posts across all three platforms.

Instruction-tuned models performed worse than their base counterparts at mimicking humans, and the 70-billion-parameter Llama 3.1 showed no advantage over smaller 8-billion-parameter versions. The researchers found a fundamental tension: models optimized to avoid detection strayed further from actual human responses semantically.

As it nears its 30th anniversary, Pitchfork is testing user reviews and comments in a major shift from its long-standing critic-only model. The site will now let readers rate albums and leave comments, combining those into an aggregated "reader score" alongside the official Pitchfork score. The Verge reports: Pitchfork has historically been a one-sided affair. While it ran the occasional reader poll, there was no way for readers to directly voice their opinion on the site. If you thought that Jet's Shine On deserved better than a 0.0 (first off, you're wrong), there was no way to let the author know other than shouting into the void of this new thing at the time called Twitter. Now the site is considering letting users comment directly on reviews and give albums scores of their own. And then those scores will be averaged up into a single reader score for each album.

Readers in 2025 "may struggle to remember the optimism of the aughts, when the internet seemed to offer endless possibilities for virtual art and writing that was free..." argues a new review at Bookforum. "The content we do create online, if we still create, often feels unreflectively automatic: predictable quote-tweet dunks, prefabricated poses on Instagram, TikTok dances that hit their beats like clockwork, to say nothing of what's literally thoughtlessly churned out by LLM-powered bots."

They write that author Joanna Walsh "wants us to remember how truly creative, and human, the internet once was," in the golden age of user-generated content — and funny cat picture sites like I Can Has Cheezburger: I Can Has Cheezburger... was an amateur project, an outlet for tech professionals who wanted an easier way to exchange cute cat pics after a hard day at work. In Amateurs!: How We Built Internet Culture and Why It Matters, Walsh documents how unpaid creative labor is the basis for almost everything that's good (and much that's bad) online, including the open-source code Linux, developed by Linus Torvalds when he was still in school ("just as a hobby, won't be big and professional"), and even, in Walsh's account, the World Wide Web itself. The platforms that emerged in the 2000s as "Web 2.0," including Facebook, YouTube, Reddit, and Twitter, allowed anyone to experiment in a space that had been reserved for coders and hackers, making the internet interactive even for the inexpert and virtually unlimited in potential audience. The explosion in amateur creativity that followed took many forms, from memes to tweeted one-liners to diaristic blogs to durational digital performances to sloppy Photoshops to the formal and informal taxonomic structures — wikis, neologisms, digitally native dialects...

[U]ser-generated content was also, at bottom, about the bottom line, a business model sold to us under the guise of artistic empowerment. Even referring to an anonymous amateur as a "user," Walsh argues, cedes ground: these platforms are populated by producers, but their owners see us as, and turn us into, "helpless addicts." For some, online amateurism translated to professional success, a viral post earning an author a book deal, or a reputation as a top commenter leading to a staff writing job on a web publication... But for most, these days, participation in the online attention economy feels like a tax, or maybe a trickle of revenue, rather than free fun or a ticket to fame. The few remaining professionals in the arts and letters have felt pressured to supplement their full-time jobs with social media self-promotion, subscription newsletters, podcasts, and short-form video. On what was once called Twitter, users can pay, and sometimes get paid, to post with greater reach...

The chapters are bookended by an introduction on the early promise of 2004 and a coda on the defeat of 2025 and supplemented by an appendix with a straightforward timeline of the major events and publications that serve as the book's touchstones... The online spaces where amateur content creators once "created and steered online culture" have been hollowed out and replaced by slop, but what really hurts is that the slop is being produced by bots trained on precisely that amateur content.

Alexis Ohanian, who helped build Reddit, says much of the internet has become dominated by bots and AI. Speaking on the podcast TBPN, he described the internet as increasingly "quasi-AI" and filled with what he called "LinkedIn slop." Ohanian referenced dead internet theory, the assertion that bot activity exceeds human activity on the web. In September, Sam Altman, OpenAI's CEO, posted that while he had not taken the theory seriously, he now sees "a lot of LLM-run twitter accounts."

Enthusiasm for Sora 2 "wasn't shared in Hollywood," reports the Los Angeles Times, "where the new AI tools have created a swift backlash" that "appears to be only just the beginning of a bruising legal fight that could shape the future of AI use in the entertainment business." [OpenAI] executives went on a charm offensive last year. They reached out to key players in the entertainment industry — including Walt Disney Co. — about potential areas for collaboration and trying to assuage concerns about its technology. This year, the San Francisco-based AI startup took a more assertive approach. Before unveiling Sora 2 to the general public, OpenAI executives had conversations with some studios and talent agencies, putting them on notice that they need to explicitly declare which pieces of intellectual property — including licensed characters — were being opted-out of having their likeness depicted on the AI platform, according to two sources familiar with the matter who were not authorized to comment. Actors would be included in Sora 2 unless they opted out, the people said. OpenAI disputes the claim and says that it was always the company's intent to give actors and other public figures control over how their likeness is used.

The response was immediate.... [Big talent agencies objected, along with performers' unions and major studios.] "Decades of enforceable copyright law establishes that content owners do not need to 'opt out' to prevent infringing uses of their protected IP," Warner Bros. Discovery said in a statement... The strong pushback from the creative community could be a strategy to force OpenAI into entering licensing agreements for the content they need, legal experts said... One challenge is figuring out a way that fairly compensates talent and rights holders. Several people who work within the entertainment industry ecosystem said they don't believe a flat fee works.
Meanwhile, "the complete copyright-free-for-all approach that OpenAI took to its new AI video generation model, Sora 2, lasted all of one week," writes Gizmodo. But that means the service has "now pissed off its users." As 404 Media pointed out, social channels like Twitter and Reddit are now flooded with Sora users who are angry they can't make 10-second clips featuring their favorite characters anymore. One user in the OpenAI subreddit said that being able to play with copyrighted material was "the only reason this app was so fun."
Futurism published more reactions, including ""It's official, Sora 2 is completely boring and useless with these copyright restrictions." Others accused OpenAI of abusing copyright to hype up its new app. "This is just classic OpenAI at this point," another user wrote. "They do this s*** all the time. Let people have fun for a day or two and then just start censoring like crazy." The app now has a measly 2.9-star rating on the App Store, indicative of growing disillusionment and frustration with censorship... [It's not dropped to 2.8.]

In an apparent effort to save face, Altman claimed this week that many copyright holders are actually begging to have their characters appear on Sora, instead of complaining about the trend. "In the case of Sora, we've heard from a lot of concerned rightsholders and also a lot of rightsholders who are like 'My concern is you won't put my character in enough,'" he told the a16z podcast earlier this week. "So I can completely see a world where subject to the decisions that a rightsholder has, they get more upset with us for not generating their character often enough than too much," he added. Whether most rightsholders would agree with that sentiment remains to be seen.
Business Insider offers another reaction. After watching Sora 2's main public feed, they write that Sora 2 "seems to be overrun with teenage boys."

An anonymous reader quotes a report from the New York Times: Over the course of a nearly four-decade career, Cory Doctorow has written 15 novels, four graphic novels, dozens of short stories, six nonfiction books, approximately 60,000 blog posts and thousands of essays. And yet for all the millions of words he's published, these days the award-winning science fiction author and veteran internet activist is best known for just a single one: Enshittification. The term, which Doctorow, 54, popularized in essays in 2022 and 2023, refers to the way that online platforms become worse to use over time, as the corporations that own them try to make more money. Though the coinage is cheeky, in Doctorow's telling the phenomenon it describes is a specific, nearly scientific process that progresses according to discrete stages, like a disease.

Since then, the meaning has expanded to encompass a general vibe -- a feeling far greater than frustration at Facebook, which long ago ceased being a good way to connect with friends, or Google, whose search is now baggy with SEO spam. Of late, the idea has been employed to describe everything from video games to television to American democracy itself. "It's frustrating. It's demoralizing. It's even terrifying," Doctorow said in a 2024 speech. On Tuesday, Farrar Straus & Giroux will release "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Doctorow's book-length elaboration on his essays, complete with case studies (Uber, Twitter, Photoshop) and his prescriptions for change, which revolve around breaking up big tech companies and regulating them more robustly. Further reading: The Enshittification Hall of Shame

An anonymous reader quotes a report from TechCrunch: X enthusiast and Reddit shareholder Sam Altman had an epiphany on Monday: Bots have made it impossible to determine whether social media posts are really written by humans, he posted. The realization came while reading (and sharing) some posts from the r/Claudecode subreddit, which were praising OpenAI Codex. OpenAI launched the software programming service that takes on Anthropic's Claude Code in May. Lately, that subreddit has been so filled with posts from self-proclaimed Code users announcing that they moved to Codex that one Reddit user even joked: "Is it possible to switch to codex without posting a topic on Reddit?"

This left Altman wondering how many of those posts were from real humans. "I have had the strangest experience reading this: I assume it's all fake/bots, even though in this case I know codex growth is really strong and the trend here is real," he confessed on X. He then live-analyzed his reasoning. "I think there are a bunch of things going on: real people have picked up quirks of LLM-speak, the Extremely Online crowd drifts together in very correlated ways, the hype cycle has a very 'it's so over/we're so back' extremism, optimization pressure from social platforms on juicing engagement and the related way that creator monetization works, other companies have astroturfed us so i'm extra sensitive to it, and a bunch more (including probably some bots)."

[...] Altman also throws a dig at the incentives when social media sites and creators rely on engagement to make money. Fair enough. But then Altman confesses that one of the reasons he thinks the pro-OpenAI posts in this subreddit might be bots is because OpenAI has also been "astroturfed." That typically involves posts by people or bots paid for by the competitor, or paid by some third-degree contractor, giving the competitor plausible deniability. [...] Altman surmises, "The net effect is somehow AI twitter/AI Reddit feels very fake in a way it really didn't a year or two ago." If that's true, who's fault is it? GPT has led models to become so good at writing, that LLMs have become a plague not just to social media sites (which have always had a bot problem) but to schools, journalism, and the courts.

The Federal Trade Commission is warning major U.S. tech companies against yielding to foreign government demands that weaken data security, compromise encryption, or impose censorship on their platforms. From a report: FTC Chairman Andrew N. Ferguson signed the letter sent to large American companies like Akamai, Alphabet (Google), Amazon, Apple, Cloudflare, Discord, GoDaddy, Meta, Microsoft, Signal, Snap, Slack, and X (Twitter). Ferguson stresses that weakening data security at the request of foreign governments, especially if they don't alert users about it, would constitute a violation of the FTC Act and expose companies to legal consequences.

Ferguson's letter specifically cites foreign laws such as the EU's Digital Services Act and the UK's Online Safety and Investigatory Powers Acts. Earlier this year, Apple was forced to remove support for iCloud end-to-end encryption in the United Kingdom rather than give in to demands to add a backdoor for the government to access encrypted accounts. The UK's demand would have weakened Apple's encryption globally, but it was retracted last week following U.S. diplomatic pressure.

Threads now has more than 400 million monthly active users. But who are these people who are actually using Threads, asks Mashable? And what is their cultural footprint? Threads is the Big Bang Theory of social media. Bland, boring, largely unoffensive, and somehow, it was the most popular show on television for years... At any given time, "Twitter" and "X" are searched somewhere between 12 and 30 times more than "Threads" on Google, according to the search engine's Trends data. Threads is a popular platform without much of an identity...

[Threads] is consistently good at one thing users really want from a social media platform: for their posts to be seen and engaged with. Threads might be boring in comparison to its competitors, but its users say it might be the only place on the internet right now where they don't feel they are screaming into the void.... Much like TikTok, you don't actually have to have thousands of followers to find decent engagement on the app. One user, commenting in a Reddit forum questioning who actually uses the app, said they "find it worthwhile" because "you can just say stuff on there under a tag and people will find it and respond...." According to consumer research company GWI, while users signed up for Threads because of its integration with Instagram, they're staying because Threads users are "community-focused," noting there's a strong overlap between Discord users and Threads users....

It just doesn't have the same flair as X or Twitter, which could be because Adam Mosseri, the head of Instagram, went out of his way to ensure politics was downplayed when Threads first launched. (Meta has since backtracked slightly by phasing "civic content" back into Threads "with a more personalized approach....") Threads is still in its adolescence. It lacks the media ecosystem that made Twitter indispensable for journalists, politicians, and celebrities. But it has something else: sheer scale and Meta's backing. With Instagram's 2 billion users as a feeder system, Meta can keep funneling people toward Threads whether they like it or not.
The article also points out Threads is integrated with the fediverse, supporting ActivityPub's decentralized protocol...

Meta's Threads has surpassed 400 million monthly active users, adding 50 million in the last quarter and closing the gap with rival X in mobile daily usage. "As of a few weeks ago [there are] more than 400 million people active on Threads every month," said Instagram head Adam Mosseri. "It's been quite the ride over the last two years. This started as a zany idea to compete with Twitter, and has evolved into a meaningful platform that fosters the open exchange of perspectives. I'm grateful to all of you for making this place what it is today. There's so much work to do from our side, more to come." TechCrunch reports: X, meanwhile, has north of 600 million monthly active users, according to previous statements made by its former CEO, Linda Yaccarino. Recent data from market intelligence provider Similarweb showed that Threads is nearing X's daily app users on mobile devices. In June 2025, Threads' mobile app for iOS and Android saw 115.1 million daily active users, marking a 127.8% increase compared to the previous year. On the other hand, X reached 132 million daily active users, reflecting a 15.2% year-over-year decline.

However, Similarweb found that X's worldwide daily web visits are well ahead of Threads, as the [...] social network saw 145.8 million average daily web visits worldwide in June, while Threads had just 6.9 million.

In 2020 a YouTube video used video footage of Steve Wozniak in a scam to steal bitcoin. "Some people said they lost their life savings," Wozniak tells CBS News, explaining why he sued YouTube in 2020 — and where his case stands now: Wozniak's lawsuit against YouTube has been tied up in court now for five years, stalled by federal legislation known as Section 230. Attorney Brian Danitz said, "Section 230 is a very broad statute that limits, if not totally, the ability to bring any kind of case against these social media platforms."

"It says that anything gets posted, they have no liability at all," said Wozniak. "It's totally absolute."

Google responded to our inquiry about Wozniak's lawsuit with a statement from José Castañeda, of Google Policy Communications: "We take abuse of our platform seriously and take action quickly when we detect violations ... we have tools for users to report channels that are impersonating their likeness or business." [Steve's wife] Janet Wozniak, however, says YouTube did nothing, even though she reported the scam video multiple times: "You know, 'Please take this down. This is an obvious mistake. This is fraud. You're YouTube, you're helping dupe people out of their money,'" she said.

"They wouldn't," said Steve...
Today is Steve Wozniak's 75th birthday. (You can watch the interview here.) And the article includes this interesting detail about Woz's life today: Wozniak sold most of his Apple stock in the mid-1980s when he left the company. Today, though, he still gets a small paycheck from Apple for making speeches and representing the company. He says he's proud to see Apple become a trillion-dollar company. "Apple is still the best," he said. "And when Apple does things I don't like, and some of the closeness I wish it were more open, I'll speak out about it. Nobody buys my voice!"

I asked, "Apple listen to you when you speak out?"

"No," Wozniak smiled. "Oh, no. Oh, no."
Wozniak answered questions from Slashdot readers in 2000 and again in 2012.

And he dropped by Slashdot on his birthday to leave this comment for Slashdot's readers...

Samsung's new One UI 8 update has quietly disabled the ability to unlock the bootloader on all Galaxy devices globally, ending the custom ROM and kernel era for Android enthusiasts. While most users won't notice, the developer community sees this as a major blow to modding freedom -- one that could potentially raise regulatory concerns within the EU. SamMobile reports: A new report highlights evidence found in the Galaxy S25 One UI 8 beta builds that the bootloader unlock option has been removed. A similar change has also been confirmed on the Galaxy Z Fold 7 and Z Flip 7 which are running stable versions of One UI 8. A deep dive into the stable version's code has also confirmed that regardless of the region, the bootloader unlock option will not be available on devices running One UI 8. The enthusiast community won't like it.

They won't be able to use custom ROMs to update devices when the official software support runs out or use custom kernels to extract more performance. However, with most Samsung phones now offering seven years of Android OS upgrades, one can argue that the utility of this capability is not as significant as it once was.

Twitter co-founder/Block CEO Jack Dorsey isn't just vibe coding new apps like Bitchat and Sun Day. He's also "invested $10 million in an effort to fund experimental open source projects and other tools that could ultimately transform the social media landscape," reports TechCrunch," funding the projects through an online collective formed in May called "andOtherStuff: [T]he team at "andOtherStuff" is determined not to build a company but is instead operating like a "community of hackers," explains Evan Henshaw-Plath [who handles UX/onboarding and was also Twitter's first employee]. Together, they're working to create technologies that could include new consumer social apps as well as various experiments, like developer tools or libraries, that would allow others to build apps for themselves.

For instance, the team is behind an app called Shakespeare, which is like the app-building platform Lovable, but specifically for building Nostr-based social apps with AI assistance. The group is also behind heynow, a voice note app built on Nostr; Cashu wallet; private messenger White Noise; and the Nostr-based social community +chorus, in addition to the apps Dorsey has already released. Developments in AI-based coding have made this type of experimentation possible, Henshaw-Plath points out, in the same way that technologies like Ruby on Rails, Django, and JSON helped to fuel an earlier version of the web, dubbed Web 2.0.

Related to these efforts, Henshaw-Plath sat down with Dorsey for the debut episode of his new podcast, revolution.social with @rabble... Dorsey believes Bluesky faces the same challenges as traditional social media because of its structure — it's funded by VCs, like other startups. Already, it has had to bow to government requests and faced moderation challenges, he points out. "I think [Bluesky CEO] Jay [Graber] is great. I think the team is great," Dorsey told Henshaw-Plath, "but the structure is what I disagree with ... I want to push the energy in a different direction, which is more like Bitcoin, which is completely open and not owned by anyone from a protocol layer...."

Dorsey's initial investment has gotten the new nonprofit up and running, and he worked on some of its initial iOS apps. Meanwhile, others are contributing their time to build Android versions, developer tools, and different social media experiments. More is still in the works, says Henshaw-Plath.

"There are things that we're not ready to talk about yet that'll be very exciting," he teases.

An anonymous reader quotes a report from TechCrunch: On Sunday, Block CEO and Twitter co-founder Jack Dorsey launched an open source chat app called Bitchat, promising to deliver "secure" and "private" messaging without a centralized infrastructure. The app relies on Bluetooth and end-to-end encryption, unlike traditional messaging apps that rely on the internet. By being decentralized, Bitchat has potential for being a secure app in high-risk environments where the internet is monitored or inaccessible. According to Dorsey's white paper detailing the app's protocols and privacy mechanisms, Bitchat's system design "prioritizes" security.

But the claims that the app is secure, however, are already facing scrutiny by security researchers, given that the app and its code have not been reviewed or tested for security issues at all -- by Dorsey's own admission. Since launching, Dorsey has added a warning to Bitchat's GitHub page: "This software has not received external security review and may contain vulnerabilities and does not necessarily meet its stated security goals. Do not use it for production use, and do not rely on its security whatsoever until it has been reviewed." This warning now also appears on Bitchat's main GitHub project page but was not there at the time the app debuted.

As of Wednesday, Dorsey added: "Work in progress," next to the warning on GitHub. This latest disclaimer came after security researcher Alex Radocea found that it's possible to impersonate someone else and trick a person's contacts into thinking they are talking to the legitimate contact, as the researcher explained in a blog post. Radocea wrote that Bitchat has a "broken identity authentication/verification" system that allows an attacker to intercept someone's "identity key" and "peer id pair" -- essentially a digital handshake that is supposed to establish a trusted connection between two people using the app. Bitchat calls these "Favorite" contacts and marks them with a star icon. The goal of this feature is to allow two Bitchat users to interact, knowing that they are talking to the same person they talked to before.